Reviews

Hamlet

By William Shakespeare. Presented by Bell Shakespeare. Directed by Peter Evans. Fairfax Studio, Arts Centre Melbourne. 28 April - 14 May, 2022.

Peter Evans has taken a very novel approach to this great tragedy. He has looked beyond gender and race for a great deal of the casting, including the choice of Harriet Gordon-Anderson as Hamlet. These choices are never justified or explained, and this is part of a much more progressive agenda that exudes in this production. Gordon-Anderson creates an impish yet intensely serious Hamlet who is ruthlessly able to unravel the royal Danish family who inhabit Elsinore castle. Her performance is managed in a deliberate and masterful manner.

A Streetcar Named Desire

By Tennessee Williams. Bakehouse Theatre, SA. April 27 – May 6 2022

‘What you are talking about is brute desire – just – Desire!’ says an incredulous Blanche when her sister Stella explains why she stays with her abusive husband. Yet she could be talking about our need for intimate theatre in Adelaide, lamenting the imminent closure of the wonderful Bakehouse Theatre.

The Merry Wives of Windsor

By William Shakespeare. New Theatre, Sydney. Directed and Set Designed by Victor Kalka. 22 April – 21 May 2022

The setting for this New Theatre production of Shakespeare’s usually unregarded The Merry Wives of Windsor bodes well. Designed by director Victor Kalka, it features a large, very Aussie house with corrugated iron roofing and, yes, a Hills Hoist in the backyard. Perhaps this merry Windsor will be the city of Windsor in country New South Wales, with a house run by relatives of Kath and Kim. 

No More Sugar No More Tea

Written and Directed by Richard Frankland. Music by Biddy Connor and Richard Frankland. Produced by Biddy Connor and Matt Delbridge. Presented by Darebin Arts Speakeasy. Northcote Town Hall Arts Centre, 189 High St, Northcote, Vic. 26-30 April 2022.

This performance is an original folk opera based on the real-life events of the ancestors of writer and performer Richard Frankland. The story of the colonial policies that dispossessed and discriminated against First Nations people is confronting. The songs, some of which are based on letters written to soldier husbands, reveal how the contribution of Indigenous people to Australian society has largely been ignored. The songs acknowledge their important role in the protection and development of Australian society and the narratives are often poignant and heartbreaking.

Tarantara! Tarantara!

By Ian Taylor. Songs by Gilbert and Sullivan. Gilbert & Sullivan Society of SA Inc. Arts Theatre, Adelaide. April 27th- 30th, 2022

For those of us who love the toe-tapping canon of Gilbert & Sullivan, (G&S) Tarantara! Tarantara! is the perfect box of mixed favourite chocolates. Performed by the G & S Society, the book is by Ian Taylor, with songs by Gilbert and Sullivan. Telling the story of Gilbert and Sullivan - their disputes, their triumphs and their failures, with the bonus of G&S works threaded through the story – the show is a treat for lovers of their work.

Cherish

By Ken Duncum. Rondo Theatre, Cairns. Directed by Lynn Cropp. Apr 29 - May 7, 2022

Cherish is a play centred around two gay couples who, in their efforts to achieve a comfortable ideal, only succeed in creating a mass of complications. Set in an unnamed location, the characters’ long-standing relationships are tested by love, loyalty and self-interest.

The two females are Jess and Maeve, who in turn have each had a child by Tom. However, Tom, who is in a long-running relationship with the older William, would like a child of his own, with Jess willing to be the surrogate mother. Surrogate motherhood, however, can have its own challenges.

Earthside

By Kaitlin Tinker. The Blue Room Theatre and Acid Tongue. Blue Room Theatre, Perth Cultural Centre, WA. April 21-May 7, 2022

Earthside, written and performed by Kaitlin Tinker, is the moving story of birth trauma, but played out as a retro-space journey. Aligning the story of her birth with the experiences of Ellen Ripley in Alien, this is a highly emotive, but also clever, and at times, quite funny production.

The Disappearing Act

By Maria Angelico. Melbourne International Comedy Festival. The Malthouse, Playbox. Apr 2 – 24, 2022

The Disappearing Act is a fabulous one-woman comedy show by Maria Angelico, who has recently acted on Australian screens in the ABC series The Newsreader and New Golden Mountain on SBS. Angelico delves deep into her life resources and pulls more than your average white rabbit out of her hat. This is a hilarious all smoke and mirrors true story.

Mozart’s Clarinet

Queensland Symphony Orchestra (QSO). Concert Hall, Queensland Performing Arts Centre (QPAC), Brisbane. 22 and 23 April 2022

A gold and black sequined jacket was the only overtly flashy element in Section Principal Clarinet Irit Silver’s solo on clarinet for Mozart’s ‘Clarinet Concerto, K.622’.

Toy Symphony

By Michael Gow. Ad Astra, Brisbane. 21 April to 14 May 2022

In the world of music, a ‘Toy Symphony’ is a piece played on children’s toy instruments, resulting in a juvenile cacophony of dings and squeaks backing a melody with an underlying strain of sadness. You could say the same of Michael Gow’s Helpmann award-winning play Toy Symphony ­– written in 2007 after a writing break of nearly a decade while working as Artistic Director at Queensland Theatre. It is about a writer (Roland Henning) struggling with writers’ block.

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