Reviews

No More Sugar No More Tea

Written and Directed by Richard Frankland. Music by Biddy Connor and Richard Frankland. Produced by Biddy Connor and Matt Delbridge. Presented by Darebin Arts Speakeasy. Northcote Town Hall Arts Centre, 189 High St, Northcote, Vic. 26-30 April 2022.

This performance is an original folk opera based on the real-life events of the ancestors of writer and performer Richard Frankland. The story of the colonial policies that dispossessed and discriminated against First Nations people is confronting. The songs, some of which are based on letters written to soldier husbands, reveal how the contribution of Indigenous people to Australian society has largely been ignored. The songs acknowledge their important role in the protection and development of Australian society and the narratives are often poignant and heartbreaking.

Tarantara! Tarantara!

By Ian Taylor. Songs by Gilbert and Sullivan. Gilbert & Sullivan Society of SA Inc. Arts Theatre, Adelaide. April 27th- 30th, 2022

For those of us who love the toe-tapping canon of Gilbert & Sullivan, (G&S) Tarantara! Tarantara! is the perfect box of mixed favourite chocolates. Performed by the G & S Society, the book is by Ian Taylor, with songs by Gilbert and Sullivan. Telling the story of Gilbert and Sullivan - their disputes, their triumphs and their failures, with the bonus of G&S works threaded through the story – the show is a treat for lovers of their work.

Cherish

By Ken Duncum. Rondo Theatre, Cairns. Directed by Lynn Cropp. Apr 29 - May 7, 2022

Cherish is a play centred around two gay couples who, in their efforts to achieve a comfortable ideal, only succeed in creating a mass of complications. Set in an unnamed location, the characters’ long-standing relationships are tested by love, loyalty and self-interest.

The two females are Jess and Maeve, who in turn have each had a child by Tom. However, Tom, who is in a long-running relationship with the older William, would like a child of his own, with Jess willing to be the surrogate mother. Surrogate motherhood, however, can have its own challenges.

Earthside

By Kaitlin Tinker. The Blue Room Theatre and Acid Tongue. Blue Room Theatre, Perth Cultural Centre, WA. April 21-May 7, 2022

Earthside, written and performed by Kaitlin Tinker, is the moving story of birth trauma, but played out as a retro-space journey. Aligning the story of her birth with the experiences of Ellen Ripley in Alien, this is a highly emotive, but also clever, and at times, quite funny production.

The Disappearing Act

By Maria Angelico. Melbourne International Comedy Festival. The Malthouse, Playbox. Apr 2 – 24, 2022

The Disappearing Act is a fabulous one-woman comedy show by Maria Angelico, who has recently acted on Australian screens in the ABC series The Newsreader and New Golden Mountain on SBS. Angelico delves deep into her life resources and pulls more than your average white rabbit out of her hat. This is a hilarious all smoke and mirrors true story.

Mozart’s Clarinet

Queensland Symphony Orchestra (QSO). Concert Hall, Queensland Performing Arts Centre (QPAC), Brisbane. 22 and 23 April 2022

A gold and black sequined jacket was the only overtly flashy element in Section Principal Clarinet Irit Silver’s solo on clarinet for Mozart’s ‘Clarinet Concerto, K.622’.

Toy Symphony

By Michael Gow. Ad Astra, Brisbane. 21 April to 14 May 2022

In the world of music, a ‘Toy Symphony’ is a piece played on children’s toy instruments, resulting in a juvenile cacophony of dings and squeaks backing a melody with an underlying strain of sadness. You could say the same of Michael Gow’s Helpmann award-winning play Toy Symphony ­– written in 2007 after a writing break of nearly a decade while working as Artistic Director at Queensland Theatre. It is about a writer (Roland Henning) struggling with writers’ block.

Things I Know to be True

By Andrew Bovell. Theatre on Chester, Epping, NSW. Directed by Carla Moore. 22 April – 14 May, 2022.

Things I Know to be True is a play about a family. An ordinary Australian family. It’s set in a suburb of Adelaide – but it could be in any suburb in any Australian city. Playwright Andrew Bovell understands ‘family’ – as did the actors with whom he worked as the idea for this play grew and flourished. They understood  about parents. How they work hard to support their kids, how they want them to succeed. They also knew about kids. How they try to be what their parents want; how they need to be true to themselves as well. They knew about secrets.

The Glitz

Produced/directed by Sue Porret. Pink Flamingo Spiegelclub, Gold Coast. From April 2022.

When the Pink Flamingo opened in 2019, it brought back a style and mode of entertainment which hadn’t been seen in more than 50 years. Swanky, sophisticated and classy, it showed us a glimpse of the nightclubs of old, when people dressed in their finest clothes, drank the finest bubbles, and watched cabaret whose excellence was never in question. It was a bold move by Susan Porret and her business partner Tony Rigas, and some questioned whether this kind of entertainment, once the domain of the casinos and supper-clubs, had any place in the 21st Century.

SLAP. BANG. KISS.

By Don Giovannoni. Melbourne Theatre Company Next Stage Original, MTC Education Program. Southbank Theatre, The Lawler. 19-30 April 2022 (Regional Tour 3-10 May 2022)

Three very talented, focused young performers seamlessly play multiple characters and make SLAP. BANG. KISS an edge-of-the-seat rollercoaster ride.  Text and direction mesh perfectly as three distinct storylines interweave across three time frames and multiple locations.  Playwright Don Giovannoni’s choice of detail to evoke emotion, place, and action is finely precise.  He reckoned that the best way to hear the characters’ stories is for them to tell us directly – and so they do, as well as interacting with others.

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