Reviews

Footlights Theatrical presents an evening of entertainment that harkens back to a bygone era of flappers, martinis, and quick witticisms. The show stitches together songs, biography and letters that tell the story of Noël Coward’s fabulous career. It’s a loving portrait of a multi-disciplined creative force that made a huge impact on the arts for decades.

The New Theatre’s production of the stage adaptation by Frank Galati of John Steinbeck’s epic novel The Grapes of Wrath is an engrossing and impressive show. A strong principal cast is well supported by a large, talented and versatile ensemble. From the start of the play, which opens with a projection of the song “We’re in the Money”, the tensions, troubles and frustrations of the characters slowly grow in the first act as we come to understand their bitter struggles.

The name The Rabble is synonymous with risk-taking and with a license to experiment in the quest to find ways of expressing ‘the feminine.’  They are Feminist Theatre Practitioners.  This Company’s work is, more often then not, acutely intense and challenging for audiences.  And this current offering, My Dearworthy Darling, is unlikely to be less polarizing than any of their previous works.  

It is so encouraging that St Jude’s Players have chosen to embrace and present high quality, contemporary Australian theatre. Geoff Britain is at the helm of Things I Know To Be True, and having directed the award winning Andrew Bovell play, When The Rain Stops Falling, also for the Players, he has embraced this production with skill and insight.