Reviews

Anthony Skuse has adapted this four-act work by Anton Chekhov into an almost two-hour production that retains the melancholy of the thwarted ambitions and tortured relationships of his nineteenth century characters yet brings them into a more contemporary frame. And, a multicultural cast using their native dialects, highlights the universality of the themes, especially the depressing effects failure and despair.

In capturing so many facets of the human spirit and journey, Circa accomplish what many can only dream of in 70 minutes, with acrobatics and physical human strength that has to be seen to be believed.

Creator Yaron Lifschitz brings together the pure essence of life with ten stunning performers showcasing the incredible world of contemporary circus. From tumbles through to performers defying the laws of gravity by balancing on each other, every part of this performance combines to create jaw-dropping and intense theatre.

Although not without its difficulties, this is a haunting piece of performance for a number of reasons.  Firstly the space that is the Norla Dome is extraordinary and full of wonder, particularly for first time visitors.  In this rarified ambiance we get to experience the moody entrance of a troupe of medieval players, riddled with and character, singing about a Paper Soldier in a world lit by fire, adapted from a Russian folk song by musical director Tim Wild.

A winery and opera in the beautiful surroundings of Glen Ewin Estate on a Sunday afternoon. Who could ask for more?

This event was pitched perfectly. It was simply staged with great acoustics, professional sound and lighting and with pianist Penelope Cashman providing superb accompaniment for the singers.