Reviews

Love and Information is a miscellany of short scenes – some micro – in seven mini acts. The scenarios place hundreds of characters in a mix of bland, random and extraordinary situations. Some of the scenes play as overheard conversations or real events reinterpreted. Some are Soap-ish; some are surreal. It feels pixelated, and technology features in many scenes (the classic: the couple at a restaurant scrolling through their social media feed) so there’s much for audiences to relate to in the grabs and glimpses of modern life.

Spotlight Theatre has revived a popular “juke box” musical from 2016 with great success. 

It is a musical tribute to Motown during that great period in the 60’s and 70’s, featuring over 50 tunes.

The pace is fast and furious with the six dancers hardly off stage and whipping up a nonstop whirlwind of energy.

With this production in the heart of Sydney, and the Currency Press edition of the play (his first) issued with the Griffin Theatre program, Meyne Wyatt can be said to have arrived as a playwright, and then some. Brilliantly funny and shockingly direct, his play reverberates with rage and grief as young indigenous actor Breythe Black returns to his home in the City of Gold, Kalgoorlie, to bury his father who has died of throat cancer. Lost in a fog of regret, not knowing which way to turn, Breythe reconnects with his brother, sister and cousin. And the city of inequality that made him.

The Curators independent theatre company began in Brisbane two years ago and this their fourth play is a mythical masterpiece.

Director Michael Beh has been working towards his adaptation of Henrik Ibsen’s Ghosts for the better part of 25 years.

He ekes out the realism, symbolism and theatricality of Ibsen’s work and traps all these elements in the pressure-cooker environment of a small pop up theatre off Waterworks Rd at Red Hill.