Reviews

Jess Hitchcock & Penny Quartet

Adelaide Festival 2025. Adelaide Town Hall, King William St, Adelaide. March 1, 2025

Jess Hitchcock and the Penny Quartet is a unique combination of song and instrumental giving us a personal glimpse into Hitchcock’s life and innermost thoughts set in a forest of gold and white illuminated trees.

Jess Hitchcock is an opera singer, a jazz singer, a singer-songwriter, a writer, a composer and  storyteller. Her versatile voice can make itself at home in a studio, on a stage or in a football stadium.

Assassins

By Stephen Sondheim and John Weidman. Directed by Christopher Alvaro. Roleystone Theatre, Brookton Hwy, WA. Feb 28- Mar 15, 2025

Roleystone Theatre presents Assassins, a strong production, that is well produced with a strong cast and live orchestra. 

Someone Else’s Story

Adelaide Fringe. Star Theatre Two at Star Theatres. Fri, 28 Feb - Sun, 16 Mar, 2025

One of the joys of the Fringe is the variety of venues used, and the well-known Star Theatres, are two versatile, out of town venues, with Star Theatre two being perfect for Bec Pynor’s show, Someone Else’s Story. This award winning 60-minute show is back after a sell-out season in 2024 and the show I saw was packed with friends, fans and admirers.

The Christian Brothers

Written by Ron Blair - Adelaide Fringe. The Arch at Holden Street Theatres. 22 February - 23 March 2025

‘Where but to think is to be full of sorrow / And leaden-eyed despairs’ (from Ode to Nightingale, Keats, 1819). It’s from the poem discussed at the start of this play, yet that verse’s themes of mortality, pleasure and nature are barely discussed. Instead, there is a discourse on the poet’s name and the definition of an obscure word, both delivered with unwarranted aggression to the student.

Romeo & Juliet

By William Shakespeare. Presented by Melbourne Shakespeare Company. Directed by Emma Austin. Central Park, Malvern, 148 Burke Rd, Malvern East, Melbourne. 28 February - 16 March 2025.

This production is set in post-war Vienna, and this provides an excellent context for this story. The volatile and electric cultural atmosphere in the the play is well captured in this historical period. The production also goes a long way in reproducing the period including fabulous small details such as providing ID cards to each of the audience members and using this as a way to connect with the performers. This attention to detail works well to reinforce the era and the ambience.

Gapu Nyupan (Chasing the Rainbow)

Created and Produced by Miku Performing Arts, Hui Jia Creatives, Kath Papas Productions and Artback NT Inc. Asia TOPA. Co-artistic director, choreographer: Rachael Wallis. Rirratjingu cultural director, songman: Banula Marika. Co-artistic director, composer: Suming Rupi. Paiwan songwoman, cultural consultant: Seredau Tariyaljan. Choreographer, performer: Piya Talaliman. Playhouse, The Arts Centre, Melbourne. 27 February – 1 March 2025

This telling of the origin stories of the Yolnu and Paiwan people and their developing relationship began with clap sticks sounding in the silence and the familiar, exciting voice of the didgeridoo. The two people prone and still on the stage responded to the life pouring into them from the music. The dances and songs which followed carry the weight of thousands of generations of belief and ritual. They are serious and joyful just as the Rainbow Serpent is believed to carry the power of life and death.

K Mak at the Planetarium

Adelaide Planetarium. Adelaide Fringe 2025. March 1st-2nd, 2025

Kathryn McKee is the brains and talent behind the haunting and transcendent sounds and songs of K Mak. As you recline in your seat, you are plunged into darkness, before a kaleidoscope of images fills the space above and around you. A quartet of musicians on cello, violin, drums, and keyboards fill the Adelaide Planetarium with original songs, as the next hour transports you in a meditative haze.

Innocence

By Kaija Saariaho / Original Finnish Libretto by Sofi Oksanen & Multilingual Libretto by Aleksi Barrière / Conducted by Clément Mao-Takacs / Directed by Simon Stone. Adelaide Festival 2025. Festival Theatre, Adelaide Festival Centre, Adelaide. Feb 28 – March 5, 2025

Innocence is the ‘big ticket’ item of the Festival and for a very good reason. It has had sell-out seasons at the likes of Festival d’Aix-en-Provence, London’s Royal Opera House and San Francisco Opera. No small recommendations!

It is a spectacle. A huge two storey set that revolves and a confronting story of bullying, murder and truth. It asks the question, “Who is actually innocent?”

Macbeth

Adelaide Fringe. The Barden Party Wetlands Amphitheatre at Adelaide Botanic Garden, 21 February - 15 March 2025

The Scottish play, a famous Shakespeare tragedy, tells the story of a noble who wanted to be king, and encouraged by his wife, kills anyone in his way of the crown, bringing civil war to his country, and death to his family. Inspired by a real Macbeth from six hundred years earlier, Shakespeare’s story is familiar to audiences, not just in the many interpretations presented through stage and screen, but through the comparisons to the machinations of world leaders from every time, greedy for more power.

Feeling Afraid As If Something Terrible Is Going To Happen

Written by Marcelo Dos Santos. Adelaide Festival. Space Theatre, Adelaide Festival Centre. 26 February to 2 March, 2025

‘I’m 36 and I’m about to kill my boyfriend…’ says the stand-up comedian as his introduction to his routine. He pauses, ponders, then makes the throat-slit motion to his technician and the stage goes momentarily dark before restoring all things to the top of his show.

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