Reviews

Australia Day

By Jonathan Biggins. Hunters Hill Theatre Company. Director: Jasper Kyle. Club Ryde. 9-25 September, 2022

Hunters Hill’s production of Australia Day waited patiently during two years of restrictions to make its funny and irreverent appearance in this 2022 season. Funny because of playwright Jonathan Biggins’ ability to satirise everyday characters and situations; irreverent because his satire is, in the words of director Jasper Kyle, “highly provocative” – as satire usually is! In the well-known Wharf Revue, Biggins and his co-writers Drew Forsythe and Phil Scott lampoon politics and politicians, local and international.

Next To Normal

Book and lyrics by Brian Yorkey. Music by Tom Kitt. Javeenbah Theatre Company. Directed by Nathan French. Musical Direction by Taylor Holmes. 16th Sept- 1st Oct, 2022.

Over the past decade I have reviewed this unique musical five times. I’m not complaining. It’s a truly brilliant show and easily in my list of Top 10 Musicals of ALL time.

However, it’s fair to say that a show about a family being torn apart by the mother’s mental illness - 16 years bi-polar - is not your average fare. This is a very personal show that is confronting by reminding us that we are all human. It’s special in all aspects, as its four Tony Awards (from 11 nominations), a Pulitzer Prize for Drama and various other awards testify.

Everything and Nothing

The Songs of Luke Di Somma. The MC Showroom. Friday, September 16, 2022

Musical Theatre fans could only be delighted with this presentation of Luke Di Somma’s well-crafted songs, delivered with Luke’s introductions and piano accompaniment by very competent and engaging singers.

Pack of Lies

By Hugh Whitemore. Wanneroo Repertory. Directed by Gordon Park. Limelight Theatre, Civic Dve, Wanneroo, WA. Sep 15 - Oct 1, 2022

Pack of Lies is a well-constructed telling of a true story, and Wanneroo Repertory’s production, is very strong, so it is a shame that the Opening Night crowd was not as full as I would expect at the Limelight Theatre. Hopefully word of mouth will convince audiences to flock to later shows, as this is an impressively acted, well-produced show.

Mamma Mia!

Music and Lyrics by Benny Andersson and Björn Ulvaeus. Book by Catherine Johnson. Musical Theatre Crew. Leiz Moore (Director). Allan Jeffrey (Associate Director). Mandy Lowrie (Choreographer). Andrew Castles (Musical Director). Jacquie Sice and Rachael Shead (Costumes). The Playhouse, Hobart. 8-17 September 2022

For one cast member, the recent production of Mamma Mia! was their 12th show with the Musical Theatre Crew. This is the level of commitment and dedication which is brought to every musical presented by this training school/production company. Many of the cast take private singing or dancing lessons but what is most evident in performance is the sense of ease and assurance they bring to their craft. This is born from solid experience and sound direction.

Variations or Exit Music

Written & directed by Justin Nott. La Mama Courthouse, Carlton. 15 – 25 September 2022

Justin Nott’s play unfolds as a pain-filled dreamscape.  Past and present slide into each other.  Memories force themselves into other memories.  Lovers from the past are present – and they speak.  Lovers from the future narrate.  The play is autobiographical and about ‘the ending of three big loves’ – that is, it is an attempt to understand those endings.

I Ought To Be in Pictures

By Neil Simon. Cairns Little Theatre. Director: Narelle Shorey. September 16-24, 2022

In one of Neil Simon’s more serious plays, struggling Los Angeles based screenwriter Herb has an unexpected visit from his nineteen-year-old daughter, Libby. Herb hasn’t seen Libby for sixteen years, not since he walked out on the family. Libby has come all the way from New York to seek fame as a Hollywood actress and believes Herb can help her. What follows is a long, drawn-out debate cum arguments salted with humour, about the past and present, and which partly resolves itself with Herb having another attempt at fatherhood.

The Great Australian Play

By Kim Ho. Story by Kim Ho and Saro Lusty-Cavallari. Presented by Montague Basement and Red Line Productions. Old Fitz Theatre. September 15 – October 8, 2022

The play opens with an impressive monologue from actor Kurt Pimblett, recalling the swashbuckling tale of an Australian adventurer, who traverses the outback around the turn of the 20th century and nearly ends up a “sun drenched skeleton.”

Based in part on the real-life claim of Harold Bell Lasseter, he regales that near death, he stumbled upon a treasure trove like gold-reef, and decades later nearly broke, he attempts to raise money to fund his trip to claim it.

True West

By Sam Shepard. The Hidden Theatre, New Town, Tasmania. Jacob Golding and Sam Tooker (Producers). Penny MacDonald (Director). Jacob Golding (Sound Design). Jacob Golding and Nathan Golding (Set Design). 15-25 September 2022

This classic work by Sam Shepard was nominated for a Pulitzer Prize for good reason. It still has something to say to modern audiences about the way in which we choose to live, our colonising aspirations, rivalries and definition of success. Whilst this American play ostensibly examines the true nature of the (wild) west, it can also be understood as speaking to the way modern humans choose to live in harmony with or to the exclusion of nature.  This exploration of the American Dream is recognisable to Australians, whose history of invasion and destruction is similar.

What Is The Matter With Mary Jane?

By Wendy Harmer. Freefall Productions. Holden Street Theatres, Adelaide. 14 - 24 Sept 2022

Awarded actor Stefani Rossi continues to blaze a trail demonstrating how energy, focus and impeccable timing and perfect habitation of the performance space can make your heart break one minute and smile with delight at the lightning fast quips, the next.

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