Pack of Lies

Pack of Lies is a well-constructed telling of a true story, and Wanneroo Repertory’s production, is very strong, so it is a shame that the Opening Night crowd was not as full as I would expect at the Limelight Theatre. Hopefully word of mouth will convince audiences to flock to later shows, as this is an impressively acted, well-produced show.

Set in 1960 and 1961, we meet the lovely Jackson family whose best friends and neighbours are revealed to be spies. A piece that has a great sense of nostalgia (and had the audience singing along to of-the-era pop hits between scenes), but also has the thrill of espionage and a Cold War story, blended with a relatable domestic drama.

Strong set design gives us a believable British home, with ring-of-truth properties from Lorraine Jones giving us a sense of time and place. Wardrobe by Julie Clark and Joan Braskic is well chosen for both the era and for character. Paul King gives us a busy and believable sound design with emotive lighting design from Ashlee Torrens and Vince Haines.

Fiona Forster shines as Barbara Jackson, a challenging role that is expertly handled by this very experienced performer, and probably one of her best performances to date. She establishes a tangible relationship with Chris Juckes as Bob Jackson, a nicely understood, very British portrayal. Lara Simpson is lovely as teenage daughter Julie, a mature well-measured community theatre debut.

Neighbours, the Krogers, are likeable, and we become invested in their fate quickly, with a great vivacious performance from Kezia George as Helen, and a gentler contrasting playing of Peter from director Gordon Park, pulling double duty.

Andrew Brown is strong, upright, and believable as investigator Stewart, while Natalie Wiles brings warmth and depth to Police Officer Thelma, and Ada Ritchie makes a promising first community theatre appearance as her colleague Sally.

An interesting play that tells a great story. Hopefully audiences will take a risk with this lesser-known drama that entertains with polish and panache.

Kimberley Shaw