Reviews

Afterplay

By Brian Friel. Directed by Kirsten von Bibra. La Mama HQ 205 Faraday Street, Carlton. 5-16 October 2022.

Lovers of Chekhov characters will delight in Friel’s 2002 exploration of two key personas from his canonical works. Sonya Serebriakova (Uncle Vanya,1897) and Andrey Prozorov (Three Sisters,1900). The play imagines them in a much later stage of life and focuses on their interaction after a chance encounter in a Moscow café.

The Comedy of Errors

By William Shakespeare. Bell Shakespeare. Director: Janine Watson. Canberra Playhouse, Canberra Theatre Centre. 1–8 October, 2022.

This production is a delightful re-imagining of Shakespeare’s early comedy, now placed in a sunny 1970s disco era, with natural voices, bright colours, and simple but imaginative staging.

Antipholus of Syracuse (Skyler Ellis) and Antipholus of Ephesus (Felix Jozeps) contrast with their  servants, Dromio of Syracuse (Julia Billington) and Dromio of Ephesus (Ella Prince), each playing up similarities and differences.

The Normal Heart

By Larry Kramer. State Theatre Company South Australia. Dunstan Playhouse, Adelaide Festival Centre. 30 September to 15 October 2022

The State Theatre Company South Australia’s production of Larry Kramer’s 1985 autobiographical drama, The Normal Heart, is a complete triumph. Directed by Dean Bryant, designed by Jeremy Allen, with lighting by Nigel Livings, sound by Andrew Howard, original music by Hilary Kleinig, and an exceptional cast of actors, this production, whilst honouring and respecting the original, breathes new life into this powerful play.

Into the Woods

By James Lapine and Stephen Sondheim. The Show Company. Leiz Moore and Alan Jeffrey (Directors). Jill Munro (Set design). Helen Cronin (Costume coordinator, properties and puppets). Andrew Castles and Petr Divis (Musical Directors). Gareth Kays (Lighting). Jesse Eynon (Scenic Art). The Theatre Royal, Hobart. 1-15 October 2022

Sondheim, recently deceased, was a great storyteller who wrote music of beauty and complexity. The score of Into the Woods is thematically rich and textured and can only be adequately realised by performers of a certain calibre.

The Meeting

By Jeff Stetson. Red Stitch Actors’ Theatre. 27 September – 23 October 2022

In a bare room, high above Harlem, a stack of chairs in the corner, Malcolm X (Christopher Kirby) sleeps on a wooden table.  He’s woken by a nightmare.  Why not?  He’s under continuous FBI surveillance and his former religious organisation, then Nation of Islam, is now his implacable enemy.  His bodyguard, Rashad (Akhilesh Jain), jumpy and suspicious to the point of paranoia, questions the imminent visit of Dr Martin Luther King (Dushan Philips)…  

Art

By Yasmina Reza and Christopher Hampton. Directed by Andrew O’Connell. Holmes à Court Gallery, North Perth. Sep 29 - Oct 2, 2022

An unconventional performance space can make or break a theatrical production, but the Holmes à Court Gallery was an inspired and excellent choice for the performance of Art, as well as allowing audiences the pleasure of viewing the Mangkaja Exhibition, currently on show at the gallery.

Legally Blonde – the Musical

By Laurence O’Keefe, Nell Benjamin and Heather Hach. Blackout Theatre Company. Director: Cierwen Newell. Pioneer Theatre Castle Hill. 30 September – 9 October, 2022.

There are some great things happening in the arts in Western Sydney – as I keep saying – and this is yet another of them. Blackout Theatre came out of the COVID cloud with the NSW amateur premiere of Beautiful: The Carole King Musical in 2021, a fine production of Chicago in May this year  and now an equally fine production of Legally Blonde. If their aim is to get bigger and better, they are certainly achieving it! This production is very slick, very funny …  and poignantly pink … just as it should be!

Ghost Stories

Writers: Jeremy Dyson and Andy Nyman Directors: Jeremy Dyson, Sean Holmes and Andy Nyman. Athenaeum Theatre, Melbourne until November 5, 2022, then Dunstan Playhouse, Adelaide from December 7 to 31.

This play promises to scare, and it sets out to do just that with skill and technical aplomb. Professor Philip Goodman (Steve Rodgers) begins the play presenting his research which introduces and debunks the ghost stories of urban legends; the moving doll, the night car trip which turns scary, the birth which kills the mother and leaves a hideous baby alive.

Legally Blonde

By Laurence O’Keefe, Nell Benjamin and Heather Hach. Stray Cats Theatre. Directed by Karen Francis. Mandurah Performing Arts Centre, WA. Sep 29 – Oct 2, 2022

Legally Blonde has been such a frequently performed show in WA that you might think it is running out of steam, but very healthy houses for Stray Cats Theatre’s Legally Blonde, and audible crowd reactions, show that there are still many first timers ready to enjoy this fun and vibrant musical. 

Our Little Inventor

Composer and co-librettist Emma Jayakumar, Original Author and Co-librettist Sher Rill Ng. AWESOME Festival. West Australian Opera, Wesfarmers Arts, West Australian Young Voices, and Western Australian Youth Orchestra. Directed by Matt Reuben James. His Majesty’s Theatre, Hay St, Perth, WA. Oct 1-2, 2022

The World Premiere of Our Little Inventor is presented by the West Australian Opera, Wesfarmers Arts, West Australian Young Voices, and the Western Australian Youth Orchestra as part of the AWESOME Festival. A home-grown musical that despite an obviously Asian feel, features broad Aussie accents. Sung and surtitled in English, this lovely little opera with its simple story and strong feminist and environmental themes, is an ideal first musical for young people.

Subscribe to our E-Newsletter, buy our latest print edition or find a Performing Arts book at Book Nook.