The Comedy of Errors

This production is a delightful re-imagining of Shakespeare’s early comedy, now placed in a sunny 1970s disco era, with natural voices, bright colours, and simple but imaginative staging.

Antipholus of Syracuse (Skyler Ellis) and Antipholus of Ephesus (Felix Jozeps) contrast with their  servants, Dromio of Syracuse (Julia Billington) and Dromio of Ephesus (Ella Prince), each playing up similarities and differences.

Hugh O’Connor, the set and costume designer, has gone for bold designs and fun colour combinations that hearken back to the 70s, complete with flared pants and big moustaches for the Antipholus twins, and a swishy, purple kaftan and many necklaces for Adriana. The military uniform for the Duke is resplendent with honours of all colours.

Sound design and compositions by Pru Montin fit the direction of Janine Watson perfectly. The lighting design is by Kelsey Lee. No space is wasted on the stage – any spot is possible for action or reflection.

The storyline of The Comedy of Errors has been altered somewhat in the characterisations. Antipholus of Syracuse is now entranced by the beauty of Luciano (played marvellously by Joseph ‘Wunujaka’ Althouse), and the two Dromios are non-binary. There are plenty of giggles to be had by not only the Bard’s words, but by observing the eloquent facial expressions and body language of the actors. Slapstick fights still lighten the darkness of mood caused by the ticking clock as the characters rush around to complete their errands by dawn. And with the breaking of the new day, a happy resolution comes, too.

Rachel McGrath-Kerr

Photographer: Brett Boardman.