Reviews

Jeeves & Wooster in Perfect Nonsense is a play inspired by the works of P.G. Wodehouse and brings some of his iconic characters to life. As the title suggests, the play offers a great deal of facetious fun. Its structure is of particular interest as part of the humour is the way it draws attention to theatrical devices. Set in the 1930s the play within a play is narrated by Bertie Wooster (Daniel Trenkovski), who is assisted by the butlers, Jeeves (Sam Howard) and Seppings (Gavin Baker).

Absolutely smashing audience’s expectations of what defines operatic entertainment comes part man, part crow, Joseph Keckler. All dressed in black, this pale troubadour owns the Studio Series performance space from the moment he enters. He’s focussed and poised for an evening unlike any other that’s been seen or heard by Opera Queensland audiences before now.

The big juicy soundscape that is Hadestown wondrously filled the Theatre Royal with the musicians on stage getting the attention they deserve.  A highlight were the cracking, sometimes dirty solos, of trombonist James Greening.

The score, a mixture of folk, blues, jazz and rock, was expertly performed by this stellar band and cast.

Bringing a beloved film to the stage is always a challenge, but this production of Sister Act rises to the occasion with a fresh approach and a brand-new soundtrack. While audiences familiar with the movie might expect to hear the same tunes, the musical instead features original compositions by the legendary Alan Menken. Known for his work on Aladdin, Enchanted, and The Little Mermaid, Menken infuses this score with the infectious energy of 1970s motown, soul, and disco, creating a soundtrack that is vibrant and dynamic in its own right.