UWA Panto Society. Fringe World. Directed by Charlie Macgregor. Rubix Bar, Murray St, Perth, WA. Jan 15-23, 2022
Presented by UWA Panto Society for Fringe World, The Little Good Wolf is a sweet and funny little production with a lovely message.
While not a pantomime, this little play has quite a bit of audience interaction, and while firmly aimed at Primary School aged little people, there are some lovely jokes aimed at their grown-up companions. This is also one of the shortest shows around, so great for littlies with short attention spans – running at just 30 minutes.
By Saskia Glass. Directed by Lily Jones and Saskia Glass. Sugarglass Entertainment. Fringe World. Royale Theatre, Lake St, Northbridge WA. Jan 19-23, 2022
Sugarglass Entertainment’s World Premiere musical, Sugar and Ice is a high energy, unapologetically feminine tale, of a young entertainer in the world of bubble-gum-pop.
When Camilla Moore’s X Factor Winning, girl-group Starburst breaks up, she attempts to make it on her own, facing the pressure of social media, unscrupulous management and demanding fans.
By Elias Jamieson Brown. Griffin Theatre Company / Sydney Festival. Green Park, Darlinghurst. January 19 – 30, 2022
There’s something very equalitarian about casual gay sex. Total strangers often cross so many borders of class, nationality, background, generations and wealth to negotiate one moment of ecstasy.
Writer Elias Jamieson Brown takes us on a Grindr date to show us how it’s done.
By Tracey Trinder. Director: Francesca Savige. Ensemble Theatre, Kirribilli. 9 January – 26 February, 2022
Tracey Trinder’s characters have graced the small screen for many years. Killing Katie: Confessions of a Book Club is her first stage play – and it’s a winner. The writing is clever, economic, perceptive, witty. The characters are tellingly recognisable yet lovably warm. The dialogue demands astute direction and fast, adroit delivery. It’s a director’s play and actors’ play rolled into one …
By Stephen Page and Alana Valentine. Bangarra / Sydney Theatre Company / Sydney Festival. Roslyn Packer Theatre. January 17 – February 12, 2022, then Hobart and Adelaide.
Stephen Page’s magnificent, largest ever and probably last production after decades as artistic director of Bangarra blends his choreography with more theatrical forms and collaborators than ever.
Page calls it a “contemporary ceremony”; Wudjang mixes opera and musical melodies and ditties, with live musicians, singers and actors working in both English and Stephen’s ancestral dialect of Mununjali of Yugambeh country (south east Queensland). And seventeen remarkable dancers.
Black Martini Productions. Fringe World. The Library, The Girls School, Perth, WA. Jan 14-23, 2022
After the success of Black Martini’s Troy Story in last year’s FringeWorld (available on YouTube if you need a primer), the team return to continue Odysseus’ journey, as he battles monsters who are trying to eat him, revengeful Gods, witches, storms, whirlpools and drugs on a ten-year journey home.
By Jessie Gordon and Libby Hamer. Fringe World. Ellington Jazz Club, Beaufort St, Perth WA. Jan 17-20, 2022
I Like Bananas is a celebration of British Music Hall jazz. Fronted by Libby Hamer and Jessie Gordon with six-piece jazz band, the Hounds, this is slightly naughty, a little bit bawdy, old fashioned and funny.
Dressed in suits and straw hats, the music hall style is nicely established, and Jessie Gordon and Libby Hamer sing beautifully and entertain with style.
By Broken Crayon Productions. Fringe World, WA. Directed by Charlie Darlington. Jan 15-19, 2022
The second of two Sh*t We Like to Sing offerings this Fringe World season, Under the Rainbow, explores gender, sexuality and what makes us, using the songs that the performers just love to sing.
Playing, very appropriately, at Connections Nightclub, the show features six very talented performers (and depending on the night, a guest performer or two).
Written and directed by Suzanne Ingelbrecht. Midland Junction Arts Centre, WA. Jan 14-16, 2022
Beautifully acted by two very strong performers, this World Premiere production tells a story inspired by the relationship between Mary Shelley and her friend Mary Diana Dods, an illegitimate daughter of the Earl of Morton who wrote as David Lyndsay and assumed the identity of aristocrat Sir Walter Sholto Douglas in order to marry another friend, Isabella Robinson, who was pregnant and had been abandoned.
By Colin Ebsworth. FringeWorld, The Goodwill Cub at the Recabite, William St, Northbridge, WA. Jan 14-Feb 13, 2021
Originally advertised as playing just three performances until January 16, the clear popularity of Me, My Cult and I has led to a ‘return season’ late in the FringeWorld festival.
Colin Ebsworth’s parents were matched by Reverend Sun Myung Moon and married in a mass wedding ceremony with thousands of other couples in in Madison Square Gardens. Born in Alabama, Colin grew up in Perth, as part of the Unification Church, colloquially known as the ‘Moonies”.
