Reviews

Macbeth (an undoing)

By Zinnie Harris after Shakespeare. Malthouse Theatre, the Merlyn. 5 – 28 July 2024

In this adaptation of Shakespeare’s ‘Scottish play’ (familiarity with the original is not strictly necessary), Lady Macbeth (Bojana Novakovic) is the protagonist: the tale is told from her point of view.  As in Shakespeare’s play, she urges, challenges, and emotionally blackmails Macbeth to murder King Duncan (Jim Daly).

Cirque Bon Bon

Developed by Ash Jacks and Julieann Nugent. Choreographer: Julieann Nugent. Athenaeum Theatre, 188 Collins Street Melbourne. 11- 13 July 2024

Cirque Bon Bon is sparkly, slick, funny and entertaining and leaves the audience grateful for the extreme skills and mastery of the performers. What a range of skills are displayed!

Flights

By John O’Donovan. Old Nick Company, Tas. Natalie Venettacci (Director). David Keating (original music). Elise Bagorski (stage manager/desk). Wolfe McBride (lighting design). The Hidden Theatre. 10-20 July 2024

Flights’ Australian debut comes some four years after its premiere in Ennis, in the Republic of Ireland. Ennis does not even have its own airport, but the protagonists meet in a semi derelict shack-cum-clubhouse called “Pointers” which does imply that there are options for leaving, even if no-one ever does. The oft-mentioned road is a road that goes nowhere.

Burnout Paradise

By Pony Cam at Bondi Pavillion, Theatre. Thursday 11 July to Saturday 13 July, 2024.

Burnout Paradise is a fantastic representation of how silly it feels to try to get everything one wants to get done when there are certain things that take longer to get done than others.

Helios

By Alexander Wright with music composed by Phil Grainger. Yalagang Room, Bondi Pavilion. Thursday 11 July to Sunday 14 July, 2024

Helios, a captivating modern re-telling of the ancient Greek myth of the fall of Phaeton, unfolds in a mesmerizing setting at Bondi Festival.

Duckpond

Created by Yaron Lifschitz and Circa. Coliseum Theatre, Rooty Hill. July 4 – 6, 2024

Duckpond is a mesmerising and enchanting theatre production that invites audiences into a whimsical world where the magic of nature comes to life on stage, unfolding in a captivating display of artistry and storytelling. 

The Past is a Wild Party

By Noëlle Janaczewska. The Loading Dock, Qtopia, Sydney. July 20 – 27, 2024

Qtopia, Sydney’s first queer museum opened recently in the old Darlinghurst police station on Taylor Square.  During the violence of the first Mardi Gas, protesters were thrown here into the police cells, which you can now wander through reading this and other chapters of queer history.  Or hear these stories voiced in a spanking new theatre space where once offenders were unloaded.

Jewels

The Australian Ballet. Festival Theatre, Adelaide. July 12-18, 2024

The Australian Ballet’s latest production of Jewels is a departure from their usual ‘story ballets’ (e.g., Swan Lake and Sleeping Beauty). It strips away any conventional trimmings of ballet and relies wholly on dance alone, and does it brilliantly!

Premiering in 1967 at the Lincoln Centre in New York, George Balanchine’s Jewels is a sparkling, shining and glittering example of classical ballet technique.

Brothers Wreck

By Jada Alberts. Yirra Yaakin Theatre Company. Directed by Maitland Schnaars. Subiaco Arts Centre, WA. Jul 5-20, 2024

It seems appropriate that in NAIDOC Week, when we are celebrating Indigenous achievement, that we should see such a strong production from Yirra Yaakin Theatre Company. Expertly written by Jada Alberts, this strong script is performed with beautifully crafted performance, in a show with strong production values.

The Woman in Black

By Stephen Mallatratt and Susan Hill. PW Productions, Woodward Productions and Neil Gooding Productions, Directed by Robin Herford. Canberra Theatre, Canberra, July 9 – 14, 2024, then Wollongong, Civic Theatre, Newcastle and Theatre Royal, Sydney.

If a friend suggests you go to a play where the plot is a well-kept secret, it’s probably best if you include a warning that there may be sudden shocks in the ghost story. I suspect that still wouldn’t have prevented my companion from nearly jumping out of her seat at one (wonderfully produced) shock!