Reviews

Prelude, Elegy, Burlesque

Dagmar Hartmann and Reinhard Armleder. Brisbane Music Festival. FourthWall Arts, Brisbane. 26 October 2024.

Music performers and lecturers from the Badisches Konservatorium Karlsruhe, known professionally as the Karlsruhe Concert Duo, award-winning artists, Dagmar Hartmann (piano) and Reinhard Armleder (cello) have performed together since the late 1990s. They have toured the globe, in demand for their performance prowess and imaginative programming. Their selection for the Brisbane Music Festival was no exception.

The Hunchback of Notre Dame

Music by Alan Menken. Lyrics by Stephen Schwartz. Book by Peter Parnell. Based on the Victor Hugo Novel and songs from the Disney film. Gosford Musical Society. Laycock Street Community Theatre. October 25 – November 9, 2024

I have been watching shows put on by Gosford Musical Society for at least thirty years and like all groups, some of their productions are better than others.  To be fair, even the premier musical societies and theatrical companies in Sydney can blow hot and cold at times.  But last night’s opening of ‘Hunchback’ really kicked GMS into another level and was the best thing that I have ever seen on the Central Coast, period.

Hangmen

By Martin McDonagh. Red Phoenix Theatre and Holden Street Theatres. The Studio at Holden Street Theatres. Oct 24 - Nov 2, 2024

Once again, Red Phoenix have opted to challenge ‘usual’ and ‘predictably mainstream’ theatre in bringing Hangmen to Adelaide audiences.

McGuffin Park

By Sam O’Sullivan. Ensemble Theatre, Sydney. Directed by Mark Kilmurry. 18 October – 23 November 2024

Somewhere up the NSW coast, north of Sydney, is the laid-back, close-knit community of McGuffin Park. They read the one-man-produced McGuffin Mail, back the local team McGuffin Hogs, eat delicious McGuffin’s Muffins, meet and drink at the ever-expanding McGuffin Arms. It seems that living inside Alfred Hitchcock’s favourite plot device is a breeze.

Hedda Gabler

By Henrik Ibsen, in a version by Anthony Skuse. Secret House, in association with bAKEHOUSE Theatre Company. KXT on Broadway. Oct 18 – Nov 2, 2024

Ibsen’s famous anti-heroine, Hedda Gabler, raged at the oppressive patriarchy of her time but still negotiated 1891 Oslo with some subtlety: her liberating spirit was restrained in Henrik Ibsen’s play by her cowardly fear of any scandal.

Gypsy

Music by Jule Styne. Lyrics by Stephen Sondheim. Book by Arthur Laurents. Babirra Music Theatre. The Round, Nunawading. Oct 11 – 20, 2024

Babirra Music Theatre's recent production of Gypsy at The Round was a dazzling showcase of talent and passion. This timeless musical, with its iconic score and captivating story, was brought to life with stunning performances, exquisite costumes, and a masterful orchestra.

Magic, Mystique and Melancholy

Presented by QPAC and Southern Cross Soloists. Concert Hall, QPAC. October 20, 2024

Australia’s Southern Cross Soloists’ (SXS) final concert in the 15th QPAC Concert Series for 2024, where they have served as the company in residence, was a true celebration of their artistry. Titled Magic, Mystique, and Melancholy the program spanned a broad range of music, from timeless work by Stravinsky to the world premiere of a modern Australian composition.

The Roaring Twenties: George Gershwin’s An American in Paris

Sydney Symphony Orchestra. Concert Hall, Sydney Opera House. October 17, 2024

It’s hard to think of a more thrilling decade than the 1920’s, so catastrophically bookended by wars and tyranny, but so explosive in its arts, modernity and social advances.  

Sydney Symphony Orchestra’s one-hour concert series here squeezes in three compelling works from the roaring twenties.  It begins with Igor Stravinsky’s spirited suite drawing on works attributed to the 18th-century composer Giovanni Pergolesi , and relishing the Italian’s  theatricality and comedia dell arte.  

Kinky Boots

Book by Harvey Fierstein. Music by Cyndi Lauper. Presented by Encore Theatre Company. Director & Executive Producer: Belinda J King. MD: Andy Prideaux. Choreographer: Bianca King. Princess Theatre, Launceston. October 11-26, 2024

I’m not sure, but I’d hazard a guess and say I’ve been a reviewer for Stage Whispers for at least 18 years - so forgive this self-indulgent preamble. Over that time, I’ve been (mostly) fortunate to see dozens of professional and non-professional productions from Sydney and the Central Coast. While preparing to move interstate to Tasmania, I made sure to tee up a review opportunity to see Spring Awakening (Black Box Theatre Co.) when I visited in July.

A Figure In The Yellow Paper

By Eleanor Golding. Theatreworks, Explosives Factory. Melbourne Fringe. October 16 – 20, 2024

A loose adaptation of American gothic feminist/horror story The Yellow Paper, written by Charlotte Perkins Gilman (1892), writer/director Eleanor Golding has offered an ambitious modern interpretation that takes this tale to another level.

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