Reviews

Mamma Mia!

Music and Lyrics by Benny Andersson and Björn Ulvaeus. Book by Catherine Johnson. Musical Theatre Crew. Leiz Moore (Director). Allan Jeffrey (Associate Director). Mandy Lowrie (Choreographer). Andrew Castles (Musical Director). Jacquie Sice and Rachael Shead (Costumes). The Playhouse, Hobart. 8-17 September 2022

For one cast member, the recent production of Mamma Mia! was their 12th show with the Musical Theatre Crew. This is the level of commitment and dedication which is brought to every musical presented by this training school/production company. Many of the cast take private singing or dancing lessons but what is most evident in performance is the sense of ease and assurance they bring to their craft. This is born from solid experience and sound direction.

Variations or Exit Music

Written & directed by Justin Nott. La Mama Courthouse, Carlton. 15 – 25 September 2022

Justin Nott’s play unfolds as a pain-filled dreamscape.  Past and present slide into each other.  Memories force themselves into other memories.  Lovers from the past are present – and they speak.  Lovers from the future narrate.  The play is autobiographical and about ‘the ending of three big loves’ – that is, it is an attempt to understand those endings.

I Ought To Be in Pictures

By Neil Simon. Cairns Little Theatre. Director: Narelle Shorey. September 16-24, 2022

In one of Neil Simon’s more serious plays, struggling Los Angeles based screenwriter Herb has an unexpected visit from his nineteen-year-old daughter, Libby. Herb hasn’t seen Libby for sixteen years, not since he walked out on the family. Libby has come all the way from New York to seek fame as a Hollywood actress and believes Herb can help her. What follows is a long, drawn-out debate cum arguments salted with humour, about the past and present, and which partly resolves itself with Herb having another attempt at fatherhood.

The Great Australian Play

By Kim Ho. Story by Kim Ho and Saro Lusty-Cavallari. Presented by Montague Basement and Red Line Productions. Old Fitz Theatre. September 15 – October 8, 2022

The play opens with an impressive monologue from actor Kurt Pimblett, recalling the swashbuckling tale of an Australian adventurer, who traverses the outback around the turn of the 20th century and nearly ends up a “sun drenched skeleton.”

Based in part on the real-life claim of Harold Bell Lasseter, he regales that near death, he stumbled upon a treasure trove like gold-reef, and decades later nearly broke, he attempts to raise money to fund his trip to claim it.

True West

By Sam Shepard. The Hidden Theatre, New Town, Tasmania. Jacob Golding and Sam Tooker (Producers). Penny MacDonald (Director). Jacob Golding (Sound Design). Jacob Golding and Nathan Golding (Set Design). 15-25 September 2022

This classic work by Sam Shepard was nominated for a Pulitzer Prize for good reason. It still has something to say to modern audiences about the way in which we choose to live, our colonising aspirations, rivalries and definition of success. Whilst this American play ostensibly examines the true nature of the (wild) west, it can also be understood as speaking to the way modern humans choose to live in harmony with or to the exclusion of nature.  This exploration of the American Dream is recognisable to Australians, whose history of invasion and destruction is similar.

What Is The Matter With Mary Jane?

By Wendy Harmer. Freefall Productions. Holden Street Theatres, Adelaide. 14 - 24 Sept 2022

Awarded actor Stefani Rossi continues to blaze a trail demonstrating how energy, focus and impeccable timing and perfect habitation of the performance space can make your heart break one minute and smile with delight at the lightning fast quips, the next.

Tilt (Program 2)

WAAPA Third Year Performance Making. The Blue Room Theatre, Perth Cultural Centre, WA. September 14-17, 2022

Tilt (Program 2) is the second of two sub-seasons of student written, designed and acted performances from WAAPA’s Third Year Bachelor of Performing Arts Students. An evening of six short plays, which vary in genre and style, its sheer variety means there is something to appeal to everyone.

In The Heights

Words & Music: Lin-Manuel Miranda. Book: Quiara Alegria Hudes. OCPAC. Director/Set Design: Melanie Xavier, Musical Director: Benjamin Samuel, Choreographer: Joel Anderson, Lighting Designer: Peter Anesbury, Sound Designer: Marcello Lo Ricco. Memorial Great Hall, Kew, Victoria. September 16 - 23, 2022.

Long before the phenomenon of Hamilton, Lin-Manuel Miranda's lesser-known musical In The Heights had been a solid success.  Playing over 1,200 performances on Broadway, it was nominated for fourteen Tony Awards, winning four including Best Musical and Choreography.  In The Heights explores the lives of three generations of immigrants dwelling in the bustling neighbourhood of Washington Heights over the course of three days. The Tony winning score features hip-hop, salsa, merengue and soul music.  

Circonoclasm: A Circus Art-Heist

NICA. Directed by David Woods. Presented by NICA. National Circus Centre, 39 – 59 Green Street, Prahran. 14 –17 September 2022.

This delightful performance not only showcases the talent of second year NICA students but strings together the magnificent performance in a clever witty and politically inspired commentary on the state of the Arts.

The Pajama Game

Book by George Abbott and Richard Bissell. Music and Lyrics by Richard Adler and Jerry Ross. WAAPA Musical Theatre. Directed by Cameron Mitchell. The Roundhouse Theatre, Western Australian Academy of Performing Arts, Edith Cowan University, Mt Lawley, WA. Sep 9-15, 2022

WAAPA's 2022 Graduates of Musical Theatre’s final production is a sold-out season of The Pajama Game, a joyous production that is delighting audiences. 

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