Reviews

Vespers

By Sergei Rachmaninoff. Sydney Philharmonia Choirs. Director Brett Weymark. Sydney Town Hall. Saturday 20th July, 2024

Brett Weymark described this interpretation of Rachmaninoff’s Vespers as “a special performance that sits somewhere between ritual, concert and theatre”. It is indeed special – because Weymark had the vision of the choir moving into different formations signifying the four phases of the All-Night Vigil of the liturgy: sunset to night, through the night to dawn and the new day – Vespers, Compline, Matins and the First Hour.

How he achieved this is typical of Weymark’s inspiration and drive!

Hamlet

Composed by Brett Dean. Libretto by Matthew Jocelyn. After William Shakespeare. Opera Australia. Directed by Neil Armfield. Conducted by Tim Anderson. Joan Sutherland Theatre, Sydney Opera House. July 20 - August 9, 2024

This is a bone chillingly brilliant production which surrounds the audience in sound, and takes them deep into the psyche of Shakespeare’s most famous character.

You won’t leave the opera whistling the tunes, but you will not forget the haunting narrative, which amidst the carnage also has surprising elements of humour.

The opera had its world premiere at the Glyndebourne Festival in 2017 and has since had productions at the New York Met, several in Germany and Adelaide Festival.

Bombshells

By Joanna Murray-Smith. Presented by Echo Theatre. Directed by Jordan Best. The Q – Queanbeyan Performing Arts Centre. 18 – 27 July 2024

Empathic, hilarious, and incorporating song and dance, Joanna Murray-Smith’s Bombshells is a wonderful choice for Echo Theatre’s Jordan Best’s superb comedic sense and feminist outlook. Murray-Smith has an ability to capture heartbreakingly authentic emotional dialogue, which is a large part of the global success of her play Honour. In Bombshells, she takes that dialogue internal to create a wry comedy about the lies we tell ourselves and the ways we survive life’s traumas.

The Music Man

Book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey. Marie Clark Musical Theatre. Arts Theatre, Adelaide. July 19th to 27th, 2024

The Music Man is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey. Marie Clark Musical Theatre (MCMT) was originally well known for its expertise as singers, but over time has evolved to present, with considerable finesse, the ‘who’s who’ of musicals, this being one of those.

The Bugalugs Bum Thief

Adapted for the stage by Tim McGarry, Eva Di Cesare and Sandra Eldridge. Red Line Productions. Directed by Jessica Arthur, with Glenn Moorhouse as Musical Director. Riverside Theatres, Parramatta. July 16 – 19, 2024

The Bugalugs Bum Thief is a delightfully funny stage production catering to kids and families. Riverside Theatres has presented a genuinely entertaining show with Red Line Productions. 

Alice By Heart

Music by Duncan Sheik, lyrics by Steven Sater, and a book by Sater with Jessie Nelson. MUSE. The Reginald, Seymour Centre, Sydney. July 17 – 20, 2024

Infectious joy, passion and energy exudes from university student theatre groups, and MUSE, the student musical theatre club at Sydney University, is no exception. Their latest offering is new to Sydney - Alice by Heart, very different musical spin on Alice’s Adventures in Wonderland from the creators of Spring Awakening.

Reclaim the Crone

Devised & Performed by Gabrielle Leah New, Helen Smith & Karen Berger. The Space Before Performance Collective. Theatre Works at Explosives Factory. 17 – 27 July 2024

The title makes the intent and purpose of this show absolutely clear.  The play begins in darkness with an angry poem projected on the walls and on three huddled women.  It’s a protest at the invisibility of older women.  Women of a certain age will recognise this at once: so disregarded that they are almost literally invisible in public spaces – so that younger individuals will bump into them or force them off the pavement and into the gutter.  It’s not just their bodies: the invisibility extends to their life experience, sexuality, opinions and wisdom

Blood Wedding

By Frederico Lorca. Flight Path Theatre, Marrickville, Sydney. Partnered by Instituto Cervantes Sidney, supported by the Spanish Embassy. Produced and Directed by Diana Paolo Alvarado. July 17 – August 3, 2024

This is a brilliant telling of a Lorca masterpiece, unexpectedly tucked away in Marrickville’s flight-path-dominated little theatre. But the regular noise of landing planes could not affect the spell of this great play, nor dim the edge of what is a tight, expert production by Guetamalan producer/director Diana Paola Alvarado.

Hot love and betrayal in a rural Spanish village is on Lorca’s list, with coercion and revenge killings in strong support. Based on a true story of fatal feuding between two families, Lorca lets rip. Ms Alvarado takes up the challenge 100%.

By Jane’s Hand

Created by Emma O’Brien with Olivia O’Brien. Seldom Productions & La Mama. La Mama Courthouse, Carlton. 17 – 28 July 2024

Emma O’Brien and Olivia O’Brien combine, weave together, and segue between ‘fact’ (or what Jane Austen made of it in letters to her sister Cassandra) and fiction.  ‘Fiction’ being how Jane Austen turned life – what she observed and what she felt - into art.  Specifically here, the much-adapted Pride and Prejudice.  There is not a word in the O’Briens’ text that does not come from Jane’s hand.  And that text weaves into and out of the music of her time that Jane Austen transcribed - from children’s

The SpongeBob Musical (Youth edition)

By Kyle Jarrow. Adelaide Theatre Academy and Theatre Bugs. Goodwood Theatre, SA. July 18th to 20th, 2024

One of the delights of quality theatre devised for children and young people is the joy and playfulness it brings. Presented by a 30 strong ensemble who sing, dance, act and tap-dance their socks and flippers off, this is two alternating shows that highlights the SpongeBob common theme of environmental awareness. I saw Krabby Patty which is set in Bikini Bottom, an under the sea town.  I am very tempted to line up, as busloads of excited children did, to also see Chum Bucket.

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