Reviews

It's a bit of an in-joke on the Central Coast that most of their highly regarded theatre companies encounter an occasional identity crisis. Gosford Musical Society was around for forty years before Laycock Street Community Theatre was opened – but the local patrons instantly started referring to GMS shows as “Laycock Street Shows”. Conversely, when The Peninsula Theatre opened in Woy Woy a decade or so later – everyone eschewed that name entirely in favour of the name of area's resident theatre company: “Woy Woy Little Theatre”.

This show is a true delight, moving its audience from laughter to tears.  Robyn Archer’s extraordinary capacity to engage with some of the darkest aspects of human nature, and then rise above them, whilst ushering her audience on a deeply entertaining expedition to source rare gems of perception, is nothing short of an exceptional gift. 

Prehistoric is a landmark show; a fierce punk-driven piece of theatre, set in Brisbane and looking back in time during Premier Joh Bjelke Petersen’s reign of brutal law enforcement, across the state of Queensland.

An Elbow Room production, written and directed by Marcel Dorney, Prehistoric is back for another season before heading off to Edinburgh Fringe Festival in August. It was a Green Room Award winner for writing and new production in 2015, after its debut in Brisbane the previous year.

We all love characters to hate and there’s no shortage of them in James Goldman’s 1966 dysfunctional-family historical drama The Lion in Winter. Set in France at Christmas 1183, it sets up a battle for the English throne between the ruling monarch Henry ll, his wife Eleanor of Aquitaine, and his three sons, Richard, Geoffrey, and John. When the play was written in 1966 it was criticized for its anachronistic dialogue, but in the era of Games of the Thrones it almost seems contemporary.