Reviews

It’s fortuitous that Blackpill comes along at the same time as the widespread, anxious discussion about the BBC television series sensation, Adolescence.  The central issue is the same – and that is the reach and influence via the internet of the so-called ‘manosphere’ and ‘incel culture’.  But Chris Partrick Hansen’s presentation is very different from the quiet, disturbing naturalism of Adolescence: it is fast moving, black, funny and entertaining even while being chilling at the same time.

“Face the oncoming apocalypse with a drink in your hand. If we’re going down, then let’s go down swinging.” This is the invitation extended by Kaye who is renowned for his sharp, witty and often provocative humour. Kaye is not afraid to touch on political issues, in fact, he unabashedly addresses the absence of genuine and visionary leadership and the current tendency to resort to spreading fear and hatred. After a sweeping overview of the very sad and sorry state of global affairs he sets the stage for a very bleak future, especially for the LGBTQIA+ community.

Dalin Oliver is from South Africa and South Africa – its differences from other places – is what his show is about.  He’s ebullient, amiably aggressive and teasing.  First step: suss out who’s in the audience.  Any South Africans?  Yes?  People Oliver can bounce off for specifics, place names, cultural and language differences – plus get the in-jokes.  (I’m not too sure what Oliver would do if there were no South Africans in the audience – but he’s quick on his feet, he’d think of something.)

Dr. Strangelove is a 1964 political satire black comedy film co-written, produced, and directed by Stanley Kubrick, famous for 2001 A Space Odyssey, A Clockwork Orange, and Eyes Wide Shut among many others.

Well known for his perfectionist directing technique, Kubrick’s vision of Dr Strangelove was no exception. The film was initially going to be a drama until Kubrick decided that a satire would drive the message home with more force.