Reviews

The Sydney Festival kicks off premiering this rousing local chamber opera from composer Mary Finsterer and librettist Tom Wright.  Through a dozen episodic scenes, we glimpse key moments in the life and genius of the Italian astronomer, mathematician, doctor and general Renaissance polymath, Gerolamo Cardano.  

In a speaking role, Mitchell Butel captures his abrasive capacity to speak on all matters – and the  interconnectedness of all systems – but Cardano has less luck connecting with his own domestic life.  

This quintessential Sydney story – adapted entirely by New Zealand born creatives – wrapped the audience in a familiar and cosy blanket of recognition. The production has been previously staged in Brisbane and Melbourne where references to Sydney suburbs did not elicit the giggles of recognition achieved in their hometown.

At the heart of the story is a young girl, aged 17 who wants, not to find the man of her dreams, but advance her education. In the 1950’s completing the Leaving Certificate (HSC) was the exception rather than the rule.

After the sadness of recent 2016 events, it was sheer joy to attend the opening night of Dusty, The Musical. This new reincarnation of the 2006 show, starring Amy Lehpamer, is vibrant, sassy and swinging. A wonderful way to usher in the New Year!

Lehpamer inhabits Dusty Springfield - every move, gesture, note and swish of amazingly bouffant wig, brings back this amazing lady. She is a multi-talented performer; mimicking Springfield’s physicality to perfection and with a belting, resonant sound that brings shivers.

Putting TV comedy series on stage is fraught with danger and in the case of the iconic Fawlty Towers even more so. In this world premiere production John Cleese, wearing his writer’s hat, has cobbled together the scripts from three of his favourite episodes, The Germans, The Hotel Inspectors and Communication Problems, to create a typical West End farce.