Reviews

Despite some technical problems causing a delay which stretched the interval to 40 minutes on opening night, some nicely measured performances and an excellent band under the musical direction of Rainer Pollard made for a pleasant night’s entertainment. In truth, The Addams Family is not a great musical. It has a poor script and a very average score, and has failed to make its mark in the professional world of Musical Theatre, but the cast attacked it with great energy and enthusiasm and there were more positives than negatives in the production.

Lally Katz, author of Neighbourhood Watch, was born in America and came to Australia as a teenager. This semi-autobiographical work about her grandparents, told in drug-induced flashbacks, gets somewhat lost in an Australian hospital room, last resting place of Grandma Lois.

In the wake of the Peanuts movie, and just in time for the school holidays, comes a family friendly musical that first appeared on Broadway in 1971, and enjoyed a revival in 1999.

Performances by all six cast members are earnestly delivered, and strongly sung, from the glass-half-empty Charlie Brown (Cameron Macdonald), the queen of crabbiness Lucy (Courtney Glass), blanket-carrying philosopher Linus (Adam Porter), and Beethoven tragic, Schroeder (Josh Robson).

This strange combination of commedia dell’arte and opera lends itself to all sorts of imaginative design and action, and this production, first performed in 2005, has all the hallmarks of twenty-first century technical creativity. It is bright and whimsical, with all the zaniness and pace of true comic farce depicted in music that pops and bubbles like a bottle of fizz.