Reviews

Alison Richards has a gentle voice and presence in this quietly fragmented space. The staging of this performance is unique and borrows from theatre, opera, installation and performance art. The attention to detail and the meticulous aesthetics are very pleasing. Each aspect of the setting elicits the idea of a life full of history and memories and how our surroundings are a constant reminder of who we are, where we have been and where we may be headed. 

While lauded for her ingenuity, Agatha Christie has been criticized, over time, as being a bland and simplistic writer – not being able to sufficiently voice the intricacies of her plots. Though heavily debated in literary circles, this observation is particularly

noticeable through the tone of her plays, the majority of which she adapted. These scripts though ‘twee’, do give directors the option to play them for high drama or to find laughs, through the camp, stiff dialogue.

If you are a fan of 60’s music then don’t miss Javeenbah’s latest offering – Billy Liar, directed by Dawn China – it’s a real walk down memory lane right into living rooms of that decade – great set!

Hand in Hand Theatre presented the cult musical Heathers to full houses, over a short season at Murdoch’s Nexus Theatre.

First time director Claire Mosel-Crossley chose a very challenging show for her directorial debut, and is a director with much potential, who has created a stylised, polished production.

Andrew David’s set is minimalist with clean lines, while Elie Hopwood’s costume design pays homage to both the film from which the musical is derived and the iconic Broadway designs.