Reviews

Ghosts

By Henrik Ibsen, adapted by Eamon Flack. Melville Theatre Company. Directed by Thomas Dimmick. Melville Theatre, WA. August 12-20, 2022

It can be a long time between shows in WA, for lovers of Henrik Ibsen, but Melville Theatre Company’s Ghosts was well worth the wait (even allowing for the production opening a week late). A sensitive and finely tuned production, with some outstanding acting performances, this classic play is brought to life with both skill and passion.

Defiant Women

Brisbane Music Festival. Loyal Hope of the Valley Lodge, Brisbane. 13 August 2022

Once again, the Brisbane Music Festival has come up with an energising programme presented in a hidden gem venue. This time, Soprano Bethany Shepherd curated a programme to highlight the Baroque period’s forgotten female composers – women who defied the constraints of their time to have their musical voices heard. Bethany’s programme was an intriguing glimpse into the domestic and professional life of women in the 1600s, focusing on three ways Baroque women could be creative through music.

Rodgers & Hammerstein’s Cinderella

By Richard Rodgers & Oscar Hammerstein II. New book by Douglas Carter Beane. Opera Australia & John Frost for Crossroads Live. Lyric Theatre, Queensland Performing Arts Centre (QPAC), Brisbane. Until 3 September 2022

For a 1957 version of a 300-year-old fairy tale, this production of Cinderella seems quite modern. I think it has something to do with Rodgers & Hammerstein’s undercurrent themes of ‘be whoever you want to be’, as well as the importance of being kind and helping others, and finding a life partner who is a true friend. These are universal truths that resonate today for audiences of all ages and backgrounds.

Laurinda

By Diane Nguyen with Petra Kalive. Adapted from the novel by Alice Pung. Melbourne Theatre Company. A Next Stage Commission. Southbank Theatre, the Sumner. 6 August – 10 September 2022

Twenty years ago, working class, from a Vietnamese immigrant family Lucy (Ngoc Phan) got a scholarship to Laurinda, an exclusive (i.e., private, snooty, high fees) girls’ school.  Now thirty-five, and still bearing the scars, she’s back at Laurinda to receive an award.  Worse, it’s an award as a teacher and it is to be presented to her by her chief school days’ nemesis and tormentor, Brodie, who is now a judge.  Lucy is having a panic attack. She’s hiding out in the loo.

How to Defend Yourself

By Liliana Padilla. Outhouse Theatre and Red Line Productions. Director Claudia Barrie. Old Fitz Theatre. 13 August – 3 September, 2022

It’s an opportune time for Sydney to see Liliana Padilla’s Yale Drama Prize-winning play about issues of desire, consent, power, toxic masculinity, sexual assault and rape – and whether training in self-defence can ensure anyone’s safety. It centres on the aftermath of gang rape and assault of a young college student by two male students. It deals with the fear of her fellow students, their guilt, their damaged self-esteem – and their faith in self- defence training.

Winter Light Festival

Directed by Lucien Simon. Salamanca Arts Centre, Hobart. 11-21 August 2022. Arcana August 13-14

2022 is the second year of the Winter Light Festival. Unlike Dark MOFO, which positions itself to celebrate shortened days of fear and shadow, Winter Light is a festival of hope and celebration.

Funded principally by the Salamanca Arts centre with contributions from the Hobart City council, the Australian Government Rise Fund, and Festivals Australia, Winter Light is a celebration of inclusion, youth and cultural diversity which includes art installations, street performers, music, dance, burlesque, circus, and new works from emerging voices.

Let’s Dance

Form Dance Projects. Riverside Theatres, Lennox Theatre. 11-13 August, 2022

Form Dance continues to bring new and unusual works to Sydney audiences. The presentations in this program tick both boxes. One is more traditional, the other radically twenty-first century. Both link performance and technology. Both will have different audience appeal – and response.

Fall, Falter, Dance!

The 39 Steps

By Patrick Barlow based on the film by Alfred Hitchcock. Hobart Repertory Theatre Company. Lucy Tomlinson-Smith and Ben Armitage (Directors). Max Watson (Lighting Design). Jack Lark and Finn Carter (Sound Design). Karen Fahey (Costume Coordinator). Helen Cronin (Props). The Playhouse Hobart. 12-27 August 2022

Those of a certain age might remember the classic Hitchcock film of the same name which consolidated the spy genre of the innocent man on the run. This stage version of The 39 Steps uses most of the original dialogue, delivered by only four actors, to create a rollicking parody.

Jarod Goldsmith (6’ 1” with a stylish pencil thin moustache) immediately establishes the tone of the work with one expertly raised eyebrow. Goldsmith, as John Hannay, is the only actor not undertaking another role. His is a pivotal and assured presence.

Improv Comedy Cagefight

Director David Crisante. Downstairs Chippendale Hotel. Monday nights until 28 August, 2022

Downstairs at The Chippo it’s a bit dark, but there’s a great vibe! And there are lots of people … mainly young  … except for one. That’s me! Why is this aged reviewer sitting among a crowd of energetic young actors on a cold winter night?  Because she loves improvisation!  Because she’s thrilled to learn about another impro venue in Sydney! Because she’s keen to see just what these young actors can do! And she isn’t disappointed.

Strange Case of Dr Jekyll and Mr Hyde

By Robert Louis Stevenson, adapted and directed by Kip Williams. Sydney Theatre Company. Roslyn Packer Theatre, Walsh Bay, Sydney. August 8 – September 3, 2022

Thousands have applauded Kip Williams’ cine-theatre version of Oscar Wilde’s The Picture of Dorian Gray, and the STC show is now en route to Broadway and the West End.

With the same creative team, Williams has now adapted and directed this hypnotic film noir telling of Robert Louis Stevenson’s horror story. Again the setting is London in the late 1800’s, a time when new sciences and a fevered Romanticism curdled into these troubled tales of good and evil.

Subscribe to our E-Newsletter, buy our latest print edition or find a Performing Arts book at Book Nook.