Reviews

A Midsummer Night’s Dream is probably one of the most loved and most performed of all Shakespeare’s comedies and as a result receives many interpretations. But this is probably one of the freshest and funniest versions you will ever see.

Directed by Terri Brabon for her Townsville-based  ompany, TheatreiNQ, it is the annual Shakespeare Under the Stars presentation, and each successive year the productions seems eclipse its predecessors to such a point that it may be hard to pinpoint the pinnacle of success.

Currently in just its third season, the Dream Dance Co. is the brainchild of Marko Panzic, who has choreographed for such spectacular shows as “So You Think You Can Dance”.  Panzic uses the company both to provide commercial dance with a profile and as a commercial outlet for the dancers’ talents.  In Enter the Vortex, the Dream Dance Co.

It’s a sweltering Aussie family Christmas Day, or so it seems, as two generations of women, mother and daughter, escape to the coolest room in the house, the bathroom. A third generation, the grandmother, though recently deceased, is omnipresent.

This short debut play by Liz Hobart lays bare the complex relationships between the three women.

The truthful dynamic between the mother, Fiona, and daughter, Imogen, played so affectingly by Anna Lee and Annie Stafford, is palpabe in this drama, heightened by being played out in real time in a single space.

Although it’s set in the rarified atmosphere of book launches, poetry authors and literary criticism, Joanna Murrey-Smith’s Honour trades in more down-to-earth dramatic tropes; that of a husband’s mid-life crisis which fractures his marriage.

George (Richard Yaxley), a distinguished literary journalist falls for an ambitious 28-year old biographer Claudia (Olivia Pinwell) and walks out on his 32-year marriage to the devastating shock of his long-standing wife Honor (Meg Hinselwood) and the disgust of his student daughter Sophie (Issy Mowen).