Reviews

Female of the Species

By Joanna Murray-Smith. Hunters Hill Theatre. Director: Jennifer Willison. The Ryde Club. 17 June - 3 July, 2022

Jennifer Willison finds all the fun as well as the ‘bite’ in her production of Joanna Murray-Smith’s satire on “celebrity feminists”. She keeps the pace fast – from the opening monologue it’s clear Willison is going to make the audience sit up and be entertained.

Catherine Potter delivers that monologue succinctly, introducing Margot Mason as strong, in command, but suffering writer’s block as she attempts to begin yet another dissertation on breaking the ‘feminine mystique’.

A Doll’s House

By Henrik Ibsen. Adapted by Joanna Murray-Smith. Ensemble Theatre, Sydney. Directed by Mark Kilmurry. 10 June – 16 July 2022

Trying to modernise Ibsen’s great work is fraught with difficulties. The play ‘exploded like a bomb into contemporary life’, wrote an early biographer of the great writer. But what had seemed extraordinary and heart-stopping in 1879 – a wife leaving her husband and home without warning – is no longer extraordinary in 2022.

The Gospel According to Marcia

Adelaide Cabaret Festival. Her Majesty’s Theatre, Adelaide. Fri 17 Jun 2022

With a career spanning five decades, a back catalogue of 22 albums selling 2.6 million copies, and garnering countless chart-topping singles and multi-platinum records globally, Ms Marcia Hines is a shining beacon of experience, sass and talent and a welcome addition to the line-up for this Adelaide Cabaret Festival.

Love’s Bitter Mystery

By Steve Carey. Produced by Jak Scanlon, Frances Devlin-Glass, Steve Carey. Directed by Carly Wilding. Premiere screening Rivoli Cinema 200 Camberwell Rd, Hawthorn. 4 June 2022.

The film Love’s Bitter Mystery has been produced and presented as part of the program of Bloomsday in Melbourne’s Centenary of the publication of Ulysses Festival, its 29th Festival celebrating James Joyce. This project began as an immersive play set at Villa Alba, a late 19th century property in Kew of historical importance for its unique and decorative architecture and interior.

The Madness of George III

By Alan Bennett. The Rep. Arts Theatre, Adelaide. 16 - 25 June 2022

Written by one of Britain’s best known and revered playwrights, The Madness of George III tells the story of the King’s declining relationship with his eldest son, the foppish Prince of Wales (later George IV), particularly focusing on the period around the government’s Regency Crisis of 1788–89. It is a complex and challenging play that, at its best, embraces the style and language of the Regency era where extravagance in most matters, was the norm for what was then, arguably the world’s most powerful king.

Henry V

By William Shakespeare. Britain’s National Theatre production. Filmed by National Theatre Live, distributed by Sharmill Films. Directed by Max Webster. In Australian cinemas from June 25, 2022

This is an extended version of Shakespeare’s play made famous as a movie by Laurence Olivier in 1944, just after a world war had made everyone on the winning side eager for a lusty celebration of the glories of warfare. Who could forget Olivier’s operatic voice as he laid immortality on the winners: ‘we few, we happy few’?

Mack and Mabel

By Michael Stewart and Jerry Herman. WAAPA. Directed by Crispin Taylor. His Majesty’s Theatre, Hay St, Perth. June 10-16, 2022

WAAPA’s annual “big” musical, staged at His Majesty’s Theatre, is the biggest event of the WAAPA performance calendar. Much anticipated, this production, performed by WAAPA Music Theatre and Music Students and designed built and crewed by WAAPA Production and Design Students, does not disappoint, with Mack and Mabel a slick, polished, and well performed production that rivals the production values of a national tour.

The Weapons of Rhetoric

Bach Akademie Australia. Verbrugghen Hall, Sydney Conservatorium of Music. Saturday 11th June, 2022

Rhetoric is the art of effective or persuasive speaking, but the voice isn’t the only “weapon” that can “speak” rhetorically. Last weekend ABC classical played 100 tracks that have persuasively set scenes in a range of different films. Hearing them takes the listener back to a time, a place, an emotion – just as effectively as words spoken in different tones or pitches.

CATS

Music by Andrew Lloyd Webber. Lyrics based on “Old Possum’s Book of Practical Cats” by T. S. Eliot. Additional material by Trevor Nunn and Richard Stilgoe. Presented by Holiday Actors and the Warrnambool Theatre Company. Directors: Geoff and Anne De Manser. Vocal Director: Elana Agnew. Choreographer: Nicky McKenzie. Musical Director: Dean Mulholland. Lighthouse Theatre, Warrnambool, Victoria. June 11-16, 2022.

Just when I thought I’d seen every conceivable interpretation of Cats the musical, along comes this sensational new amateur production. This second collaboration between Holiday Actors and the Warrnambool Theatre Company (since the sold-out season of Les Misérables in 2019) proves to be another audience favourite.

Set Piece

By Anna Breckon and Nat Randall, in collaboration with Andrew Brophy. Presented by Arts House. Meat Market, Blackwood Street, North Melbourne. 10 – 12 June 2022.

Set Piece is a curious experiment.  It attempts to overturn certain theatrical conventions and to construct alternatives.  The show’s creators, Anna Breckon and Nat Randall, place a statement in the foyer, stating their objective and intentions and clearly preparing the audience for what they are about to see.  We should leave aside why they felt it was necessary to do this – but it its, as intended, illuminating.

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