Reviews

Fire Drill Scenario

Concept and Performer: Geumhyung Jeong. Presented by Asia TOPA, Arts House, North Melbourne Town Hall, 521 Queensberry St, North Melbourne. 6-9 March 2025.

Geumhyung Jeong is an extraordinary performer from Seoul, South Korea who often blends a range of performance traditions such as dance, choreography, theatre, puppetry, video, and installation. Jeong is interested in the rapport between the body and surroundings and Fire Drill Scenario explores this at length and in depth in relation to how we move and interact within a space.

Oh My Heart, Oh My Home

Adelaide Fringe. Circulating Library at The Courtyard of Curiosities at the Migration Museum. 4-16 March 2025

Oh My Heart indeed. A great story well-told is always going to get my attention, but this new show from Casey Jay Andrews is utterly captivating. It’s the tale of Freddie and her grandfather, who has lived in an old house for what seems like forever, far away from light pollution, and perfect for observing the once-in-thirty-three-year event of the Leonids, a meteor storm (much bigger than a shower) from the comet Tempel-Tuttle.

Shan Gao Shui Chang

Presented by Weichen Cui, Haocheng Zhang, and Monica Lim, supported by the Adelaide Fringe Fund, and in association with Lewis Major Projects. Adelaide Fringe Festival 2025. Adelaide College of the Arts, Light’s Square, Adelaide. March 6 &7 2025

A literal translation of Shan Gao Shui Chang is “Mountain high, water field”. This immersive production features dance, sound, and visual arts and has an all too short season of two nights. I was lucky enough to catch the opening night.

Awarded the Adelaide Fringe Fund, this work returns after its highly acclaimed Melbourne debut.

Dust

Adelaide Fringe. The Breakout at the Mill. 5-22 March 2025

A father is teaching his son how to box before dinner: growing up as a Yorkshireman in the mid twentieth century, trying to make a life for him and his family. In the present day, the same man fights for breath, where all he wants is to get through this and get home to Dot.

August: Osage County

By Tracy Letts. A Black Swan State Theatre Company co-production with Belvoir Street Theatre, presented as part of Perth Festival. Directed by Eamon Flack. Heath Ledger Theatre, State Theatre Centre of Western Australia. Feb 27 - Mar 16, 2025

Black Swan State Theatre Company’s August: Osage County is presented as part of Perth Festival. A co-production with Belvoir Street Theatre, this large cast production about a family in crisis is a well-acted well-presented story.

The Robot Dog

By Roshelle Yee Pui Fong & Matthew Ngamurarri Heffernan. Presented by Melbourne Theatre Company in association with Asia TOPA and Arts Centre Melbourne. Directed by Amy Sole. Southbank Theatre, The Lawler, 140 Southbank Blvd, Melbourne. 1- 25 March 2025.

 

End Game

Adelaide Fringe. The Lab at Fool's Paradise. 5-23 March 2025

A cabaret performer, Joanie, arrives at the Afterlife, and is asked what she has learnt? This takes the audience on a journey with Joanie to understand the choices she made and their consequences. Her spirit guide Pam reveals more than Joanie knew about the reaction of another woman, Eva, following a chance meeting after one of Joanie’s shows. Through myriad other characters, we discover there are still opportunities for redemption, with renewed purpose.

My body, my choice!

Adelaide Fringe. Tea Room at Curiositeas. 5-9 March 2025

‘Boat or plane?’ Maedeh asks us of how we got to Australia. She jokes that no-one wants to talk to the plane people, only those who arrive by boat. She smiles, laughs, and charms us all through her disarming comedy and alarming personal history.

One Day We’ll Understand

Concept/Script & Performer Sim Chi Yin. Director Tamara Saulwick. Footscray Community Arts and Asia TOPA Presentation from CultureLink Singapore & Chamber Made. 27 February – 1 March 2025

The title, One Day We’ll Understand, suggests hope – hope that, in the future, we will find the truth – all of it – and then we’ll understand.  But what this dazzling and moving presentation shows us is how hard a task that is.  The ‘truth’ depends on the teller and on what is left behind. It is twisted, hidden, erased, covered, lost in dusty archives, and the witnesses who remain are fearful or ashamed...  And even then, were all to be revealed, would we understand?

David Harrington’s Listening Party

Adelaide Festival 2025. Elder Hall, Adelaide. Wednesday March 5th 2025

Image: David Harrington

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