August: Osage County

When Beverly Weston goes missing, his already ill wife spirals into pain-killer addiction. Beverly’s death brings their three daughters and extended family together for the first time in years.

Bob Cousins’ set is unusual. A mis-formed representation of a house, that is both unfinished and broken down, is symbolic of the family that is confused and dysfunctional. Costumes, designed by Ella Butler are grounded in realism, with a worn-in feel and attention to detail. Lighting designer Morgan Maroney makes strong choices. While composer Rachael Dease provides an emotive sound design.

The show is seen largely through the eyes of matriarch Violet’s recently hired carer, Native American Johnna Monevata, who like the audience is an outside observer. Johnna is sagely played by Bee Cruse, whose opening acknowledgement of country (the actress is of Native American, Aboriginal and Chinese descent), transitions seamlessly into the opening scene of the play, where Johnna is hired by patriarch Beverly Weston, played with laid back practicality by Geoff Kelso.

Pamela Rabe delivers a bravura performance as Violet Weston, unhinged, drug affected and cruel, with Pamela able to show her vulnerability and complexity. Excellent performances from daughters Karen, a physically outstanding Anna Samson, Ivy, very sympathetically played by Amy Matthews and Barbara, a deeply layered and stunning performance by Hayley McElhinney.

Barbara’s estranged husband, Bill Fordham, is played well by Bert Labonte, with their  fifteen-year-old daughter played convincingly by Esther Williams. Karen’s fiancé, who behaves reprehensibly, is played with energy by Rohan Nichol, while cousin and love interest of Ivy, ‘Little' Charles, is given a likeable, multi-layered portrayal Will O’Mahoney.

Little Charles’ father and namesake is played with conviction by Greg Stone, whose family grace is a much-needed moment of levity. His wife Mattie Fay is well inhabited by Caroline Brazier, whose secret is revealed in a highlight of the play. Ben Mortley, in what is probably the smallest role in the play, makes an impact as Sheriff Gilbeau.

Lengthy at three and a half hours, this is a play that manages to maintain the audience interest, due to strong performances and intelligent direction. 

Kimberley Shaw