Reviews

Writer/Director Rob Reed has inspiringly woven a rich tapestry around themes of revolt, rebellion and war that Euripides’s The Bacchae speaks of.  One can only sit back and enjoy this lengthy but swiftly flowing work.  At the same time it is impossible not to marvel and wonder at the enormous amount of targeted research required to create such a beguiling and masterfully thought-provoking piece of theatre.

All the linkages, that I could grasp, made perfect sense.  Those I couldn’t grasp I was happy to believe were making perfect sense.

When all the kids start to play their instruments ‘live’ midway in the first act the moment is “electric” and from that point on the show, which is already in high-gear, soars into the stratosphere. Andrew Lloyd Webber’s new musical is simply euphoric, joyously anarchic, wildly funny and absolutely irresistible, and the best new musical we’ve had from the Lord in years.

Halcyon Playhouse is a new theatre company and 100, presented in association with Luminary Entertainment, is their premiere production.

Performed in The Round Room, Carrington St, Hamilton Hill, the venue will be vaguely familiar to many Perth theatregoers, as it shares a foyer with the larger Memorial Hall Theatre, used by Phoenix and several other companies. The round room is literally “round” and 100 is performed ‘in the round’ or perhaps more accurately in a modified traverse style, meaning the audience are very close to the action.

Autocannibal is the new spine chilling dystopic solo theatre show that is performed and created by Mitch Jones (aka Captain Ruin). This is a fine mix of mime/clowning, magical illusion/escapology, aerial acrobatics and performance art that addresses current climate change and eco system concerns.