Reviews

Annie was an ideal choice for Eltham Little Theatre. They regularly include a junior musical in their program, and this allowed for plenty of juniors, as well as the adults, to have a sing.

Towering over the production was the Daddy Warbucks of John Leahy. Having seen him before, I was expecting his big voice and strong personality, but I was quite taken aback by his sensitive singing. Nicola Ramsay also sang well and was a strong Grace Farrell.

Sometimes a smaller-scale reimagining of a blockbuster serves to better illuminate the emotions and themes that form the core of the story than any big-budget staging could. Such is the case with this, the first amateur production of Wicked to be staged in South Australia. Though it can’t hope to match Broadway in terms of lavish spectacle, Matt Byrne’s conception of the show is still quite visually striking in its own, more modest way and the emotional journey of the main character comes through with an intensity that commands the audience’s attention.

Consumerism turned into cabaret-what an innovative concept. Co-written by Sean Weatherly and Cerise de Gelder, Price Check! The Musical has been in the workshop phase for 10 years.

Warmly received by its Adelaide audience, this musical taps into the lives of four employees at a local supermarket and one annoying regular patron.

What do you get when you put two young but experienced magicians on stage together? A high-octane explosion of colour and a healthy dash of teenage attitude.

Welcome to Cardistry! Made up of Ash Hodgkinson and Lucas Itrawan, both 14. In Cardistry Cubed, the boys base their show around the most popular show of the 1980s: the Rubik’s Cube.

Three things make for a great magic show: the magic itself, the narrative structure, and the magician’s personality.