Reviews

When Jonny Hawkins enters the stage and explains that older women are his heroes and this show is a homage to them, he takes a risk, setting himself up to possibly fail by causing offence or simply not doing them justice. But thanks to thoughtful characterisation and a huge amount of sensitivity and care, this one-woman show proves touching - and compelling throughout.

It’s Not Me, It’s Definitely You: The Songs of Amy Winehouse and Lily Allen is a returning FringeWorld favourite which looks at the dilemmas of modern relationships.

Written and performed by Lisa Woodbrook, this is a beautiful blend of song and very natural and funny stand-up comedy. Lisa, who is lovely to listen to, can really hold the crowd and her interactions between songs are funnier and more surprising than you would normally expect to hear in cabaret.

He might be the planet’s last survivor but Mitch Jones stirs up pathos and laughter, even as he finally eats himself.

In his dystopian space of rubbish furniture, plastic bags and skewered lighting, he first blends into a smoothie all his available bits – dandruff, hairs, piss, sweat – but with the theatrical aplomb of a TV chef.

Perhaps he’s a former newsreader. In his shredded suit, he looks like those others flashing up on the old TVs amongst the scaffolding, with news of meteoric temperatures and new laws allowing the sale of body-parts.

When I was a lad, enamored with Gilbert and Sullivan operettas, the stagings were slavishly ‘traditional’ - W.S Gilbert’s original 19th century direction remained the increasingly stale holy grail for enthusiasts. Thankfully, times have changed.

Since the handbrake of copyright was released, Gilbert’s satirical topsy turvy scripts and Sullivan’s delightful scores have had many a new interpretation, or fresh coat of paint.