Reviews

not a very good story

By May Jasper. Directed by Daniel Rice. Fringe World. The Blue Room Theatre, Northbridge, WA. Jan 31 - Feb 4, 2017

This is “not a very good story” begins Stephanie, as she proceeds to directly address the audience about events at her work place. It turns out to be a fascinating story that has the audience engrossed from beginning to end.

Solo performer May Jasper, has developed a beautifully realistic character in Stephanie. Stephanie has been ill and has returned to work at a call-centre after a long absence. A little bit shy, socially awkward and somewhat child-like, she brings a unique perspective, and what feels to be unintentional humour, to what is a disturbing tale.

Lea Salonga in Concert

With Sydney Symphony Orchestra. Sydney Opera House, Feb 2, 3, 2017. With Orchestra Victoria, Hamer Hall, Melbourne Feb 7, 8, 2017.

Lea Salonga has one of the best-known voices in musical theatre. Not only did the Filipina star originate the role of Kim in Miss Saigon, she also sang two princesses in Disney films: Jasmine in Aladdin and Fa Mulan in Mulan. At her concert, she shows she is among the best, singing many Broadway numbers as well as - or possibly even better than - the original.

Parlour Games

Tooth and Nail / Fringe World. The Blue Room Theatre, Northbridge, WA Jan 31 - Feb 11,

Parlour Games is a visceral, highly visual piece of physical theatre, that charms and delights its audience.

Tooth and Nail theatre was formed by four graduates of Ecole Jacques Lecoq, Paris (although frankly they do not look old enough to have graduated from anywhere). Members of the company hail from four different countries, and work together seamlessly to create beautiful, organic theatre.

Panti: High Heels in Low Places

Performed by Panti Bliss. Midsumma Festival. Fairfax Studio, Arts Centre Melbourne. 2-4 February 2017.

Panti (Rory O’Neill) is a flamboyant persona whose drag queen performance lives up to all the traditional expectations: extravagant costuming and make-up, lip-synching, singing, dancing and adoration of glamour and glitz. However, there is a less common dimension to Panti’s stand-up routine. The highly political nature of Panti’s material has meant she has become a serious advocate for the LGBTI community.

Boys of Sondheim

Music & Lyrics: Stephen Sondheim. Narrations: Anthony Nocera. Concept/Direction: Kris Stewart. Musical Director: Dominic Woodhead. Choreography: Kurt Phelan Understudy Productions & Brisbane Powerhouse. Powerhouse, Brisbane. 2-5 Feb 2017

Stephen Sondheim is a composer and lyricist who is gay but to my knowledge he has never written a song for a gay character. In the past it has been claimed by many that the character of the unmarried Bobby in Company was gay which Sondheim has always vehemently denied. So Kris Stewart’s concept of looking at gay relationships through the eyes of Sondheim’s songs is an interesting switch. It not only works well, but it’s surprising how much of the material is applicable to same sex relationships.

Comma Sutra

Directed and performed by Louisa Fitzhardinge. Fringe World. ACE’s Cabaret at Downstairs at the Maj, His Majesty’s Theatre, Perth WA. Jan 31 - Feb 4, 2017

Self-confessed Grammar Nerd Louisa Fitzhardinge has created this clever word based cabaret, looking at grammar, spelling, punctuation and language.

Personable, intelligent and self-deprecating, Louisa quickly formed a bond with her late-night audience, a crowd with an appreciation for a well placed comma and appropriately applied apostrophe.

Accompanied by Greg Lavell on piano and piano-accordion, Louisa’s gorgeous renditions of her original songs and witty parodies, were delightful, and very warmly received.

Calendar Girls

By Tim Firth. Castle Hill Players. Pavilion Theatre, Castle Hill Showgrounds. February 3 - 25, 2017.

Director Annette van Roden captures the complexity of this play in these words:

“On the surface, it’s a comedy about a group of women getting nude for a calendar but it’s much more than that. The play is about community, loss, support, acceptance, camaraderie, tolerance and love’.

The Rambling Feminist

By Shona Anderson. The Butterfly Club. 1 to 5 February 2017.

“Time bends” as Shona Anderson takes you on a journey through her memories scattered across time and space. She explores different attitudes she has encountered towards gender roles, race and religion.

“The show is inspired by and is sort of a theatrical memoir of my travels and in particular a cycle trip I took with my then partner in 2014. We spent several months in the Balkans,” explains Shona.

Todd In Venice

Written & directed by Sofia Chapman. Burning Deck Theatre Company for Midsumma Festival. La Mama, Carlton (VIC). 1 – 5 February 2017.

Thomas Mann’s famous novella is Der Tod in Venedig so Todd In Venice is, I guess, a sort of pun, but don’t expect any further resemblance, connection, reference, critique or deconstruction of Mann’s book – beyond perhaps that the eponymous ‘Todd’ has the surname ‘Ash’, his lover Michael has the surname ‘Bark’ and Mann’s hero is ‘von Aschenbach’.  Sadly, this is about the level of sophistication of the enterprise.  There is also scant resemblance between the playwright Sofia Chapman&rsqu

Odd Socks

The Cutting Room Floor / Fringe World. Directed by Gemma Hall. Flaming Locomotive, STC Engine Room, Northbridge, WA. 31 Jan - 4 Feb, 2017

This ‘Flaming Locomotive’ Fringe World venue is in a rehearsal room, downstairs at the State Theatre Centre. As the audience enter, crossing a corner of the stage, they encounter a young, unassuming man consuming a dinner of meat and vegetables.

As the play begins, we discover that ‘Charles’ is very neatly packing to move out - while learning Spanish. Charles, is a serious, safe accountant, who likes this by the book.

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