Reviews

Lally Katz, author of Neighbourhood Watch, was born in America and came to Australia as a teenager. This semi-autobiographical work about her grandparents, told in drug-induced flashbacks, gets somewhat lost in an Australian hospital room, last resting place of Grandma Lois.

In the wake of the Peanuts movie, and just in time for the school holidays, comes a family friendly musical that first appeared on Broadway in 1971, and enjoyed a revival in 1999.

Performances by all six cast members are earnestly delivered, and strongly sung, from the glass-half-empty Charlie Brown (Cameron Macdonald), the queen of crabbiness Lucy (Courtney Glass), blanket-carrying philosopher Linus (Adam Porter), and Beethoven tragic, Schroeder (Josh Robson).

This strange combination of commedia dell’arte and opera lends itself to all sorts of imaginative design and action, and this production, first performed in 2005, has all the hallmarks of twenty-first century technical creativity. It is bright and whimsical, with all the zaniness and pace of true comic farce depicted in music that pops and bubbles like a bottle of fizz.

Eleven years ago, Nic Green was working in UK schools with 12-year-olds.  A majority of girls, imagining their future, said their dream was to be ‘a footballer’s wife’.  At the same time, as she says in her program note, Nic Green was making a performance piece with other young girls - girls as young as eight, ‘lost in a fog of self-deprecating negativity…[concerned] about their own bodies and the self-doubt they lived with daily…’