Reviews

The Nightline

Adelaide Festival. Corner of Playhouse Lane & Gilles Arcade, Adelaide. March 4th to 20th, 2022

Australian Director Roslyn Oades is known for her pioneering work in the field of headphone verbatim and audio-driven performance. Working with Sound Artist Bob Scott, they have created what the host who greets us informs us is 35 minutes and 33 seconds of sometimes challenging, often compelling theatre that reveals the real life experiences of the sleepless who reach out to The Nightline. In late 2020, Oades and her collaborators put out a call, ‘If you’re an insomniac, night owl or dreamer we want to hear what keeps you up at night’.

Juliet & Romeo

Adelaide Festival. Lost Dog. Scott Theatre. 5-12 March 2022

It is twenty years since the familiar events of this couple – except neither Juliet nor Romeo died. Instead, they ran away to Paris, got married, had a daughter, and now… well, now they are having relationship difficulties. And after trying every kind of therapy to salvage the marriage, they are here in the full auditorium, to try a kind of group therapy session, where they share with us their history, as each of them remembers it.

The Photo Box

Adelaide Festival 2022. Space Theatre. March 3 to 7, 2022.

Emma Beech describes her work as “direct address, and montages stories, gestures and physical narrative”. The Photo Box is no exception to this. As she rummages through the photos that stand as memorials to a place and time, she invites us to get to know her family, the Beechs of Barmera and the foibles, traditions and inner workings that make them tick.

Naomi

Adelaide Fringe Festival 2022. The Studio at Holden Street Theatres, Adelaide March 1 – 20, 2022

Naomi is a masterclass in acting by Patrick Livesey! By taking us into the lives of eight people associated with his mother up to her death by suicide, Livesey shares her story in the knowledge that understanding her plight may help more people to find a way out of their darkness.

The Rite of Spring / common ground[s]

Pina Bausch / Germaine Acogny & Malou Airaudo / Pina Bausch Foundation / École des Sables / Sadler's Wells. Adelaide Festival. Her Majesty’s Theatre, Adelaide. 4, 5, 6 March 2022

In common ground[s], two mature and esteemed women command the stage; one with dark skin, one fair-skinned, both clothed in flowing, floor-length matte black gowns.  Germaine Acogny & Malou Airaudo are both now in their seventies but move with enviable fluidity, strength and depth of expression.  Airaudo was one of the formative dancers at Pina Bausch’s Wuppertal Dance Theatre from the early 1970s and is still a revered teacher and choreographer.  Senegalese dancer and choreographer Acogny, known as the mother of contemporary African dance, established her

The Golden Cockerel

Adelaide Festival 2022. Festival Theatre – Adelaide Festival Centre, Adelaide. March 4 – 9, 2022

The Golden Cockerel began its life as a poem by Alexander Pushkin in 1834, before becoming an opera written by Nikolai Rimsky-Korsakov, the last opera he completed before his death in 1908.

The opera tells the story of a lazy and gluttonous King who seeks advice from his sons, a general and finally an astrologer. The astrologer offers the King a golden cockerel with the power to foretell events and give warning in case of danger. However, even with the help of the bird, the kingdom goes to shambles and the bird eventually kills the king.

Watershed: The Death of Dr Duncan

Libretto by Alana Valentine & Christos Tsiolkas. Score by Joe Twist. Adelaide Festival 2022. Dunstan Playhouse – Adelaide Festival Centre. March 2 – 8, 2022

Watershed is a magnificent piece of theatre in every way! Commemorating 50 years since the famous murder and drowning of Dr. George Ian Ogilvie Duncan in Adelaide on May 10th 1972 and co-commissioned by Feast Festival, Adelaide Festival and State Opera South Australia, supported by Arts South Australia, this production is landmark production that deserves to tour Australia!

Peter Quince Presents: A Midsummer Mechanical's Dream!

Presented by the Australian Shakespeare Company. Southern Cross Lawn, Royal Botanic Gardens, Melbourne. 25 February - 12 March, 2022.

The Botanical Gardens is a fabulous outdoor space that the Australian Shakespeare Company have beautifully carved out for their often-vibrant productions. This show takes a detour from their usual work and focuses on the Mechanicals in A Midsummer Night’s Dream. The bad acting, the ridiculous rivalries and the slapstick humour that characterise the four tradesmen are brought to life on a large scale, and their very questionable theatrical talents are all playfully explored in one big production.

Stevie

Created by Suzie J Jarmin. La Mama Courthouse, Carlton. Sound design Nat Grant. Lighting design Shane Grant. March 2 to March 13, 2022

Stevie presents an account of a person’s efforts to integrate the difficult experiences of childhood trauma and its subsequent impacts. Stevie is disciplined, tightly imagined, engaging and poetic. This gives the play a very solid base for exploring chaotic and disordered material.

Stay Woke

By Aran Thangaratnam. Directed by Bridget Balodis. Presented by Malthouse Theatre, The Malthouse, 113 Sturt St, Southbank. 25 February – 13 March, 2022.

Image: Rose Adams and Brooke Lee.

When Niv (Dushan Philips) is instructed by his brother Sai (Kaivu Suvarna) to use the term “ministers for barking” as the new term for the word ‘dogs’ (as an exercise in adopting new more politically correct terminology) the play exhibits one of its typically amusing and simultaneously thought-provoking pieces of dialogue. In this very insightful play woke politics comes under as much fire as the commonplace assumption of white privilege. 

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