Reviews

Romeo & Juliet

By William Shakespeare. Presented by Melbourne Shakespeare Company. Directed by Emma Austin. Central Park, Malvern, 148 Burke Rd, Malvern East, Melbourne. 28 February - 16 March 2025.

This production is set in post-war Vienna, and this provides an excellent context for this story. The volatile and electric cultural atmosphere in the the play is well captured in this historical period. The production also goes a long way in reproducing the period including fabulous small details such as providing ID cards to each of the audience members and using this as a way to connect with the performers. This attention to detail works well to reinforce the era and the ambience.

Gapu Nyupan (Chasing the Rainbow)

Created and Produced by Miku Performing Arts, Hui Jia Creatives, Kath Papas Productions and Artback NT Inc. Asia TOPA. Co-artistic director, choreographer: Rachael Wallis. Rirratjingu cultural director, songman: Banula Marika. Co-artistic director, composer: Suming Rupi. Paiwan songwoman, cultural consultant: Seredau Tariyaljan. Choreographer, performer: Piya Talaliman. Playhouse, The Arts Centre, Melbourne. 27 February – 1 March 2025

This telling of the origin stories of the Yolnu and Paiwan people and their developing relationship began with clap sticks sounding in the silence and the familiar, exciting voice of the didgeridoo. The two people prone and still on the stage responded to the life pouring into them from the music. The dances and songs which followed carry the weight of thousands of generations of belief and ritual. They are serious and joyful just as the Rainbow Serpent is believed to carry the power of life and death.

K Mak at the Planetarium

Adelaide Planetarium. Adelaide Fringe 2025. March 1st-2nd, 2025

Kathryn McKee is the brains and talent behind the haunting and transcendent sounds and songs of K Mak. As you recline in your seat, you are plunged into darkness, before a kaleidoscope of images fills the space above and around you. A quartet of musicians on cello, violin, drums, and keyboards fill the Adelaide Planetarium with original songs, as the next hour transports you in a meditative haze.

Innocence

By Kaija Saariaho / Original Finnish Libretto by Sofi Oksanen & Multilingual Libretto by Aleksi Barrière / Conducted by Clément Mao-Takacs / Directed by Simon Stone. Adelaide Festival 2025. Festival Theatre, Adelaide Festival Centre, Adelaide. Feb 28 – March 5, 2025

Innocence is the ‘big ticket’ item of the Festival and for a very good reason. It has had sell-out seasons at the likes of Festival d’Aix-en-Provence, London’s Royal Opera House and San Francisco Opera. No small recommendations!

It is a spectacle. A huge two storey set that revolves and a confronting story of bullying, murder and truth. It asks the question, “Who is actually innocent?”

Macbeth

Adelaide Fringe. The Barden Party Wetlands Amphitheatre at Adelaide Botanic Garden, 21 February - 15 March 2025

The Scottish play, a famous Shakespeare tragedy, tells the story of a noble who wanted to be king, and encouraged by his wife, kills anyone in his way of the crown, bringing civil war to his country, and death to his family. Inspired by a real Macbeth from six hundred years earlier, Shakespeare’s story is familiar to audiences, not just in the many interpretations presented through stage and screen, but through the comparisons to the machinations of world leaders from every time, greedy for more power.

Feeling Afraid As If Something Terrible Is Going To Happen

Written by Marcelo Dos Santos. Adelaide Festival. Space Theatre, Adelaide Festival Centre. 26 February to 2 March, 2025

‘I’m 36 and I’m about to kill my boyfriend…’ says the stand-up comedian as his introduction to his routine. He pauses, ponders, then makes the throat-slit motion to his technician and the stage goes momentarily dark before restoring all things to the top of his show.

Nyilamum – Song Cycles

Adelaide Festival 2025. Adelaide Town Hall, King William St, Adelaide. Feb 27, 2025

Very rarely has this reviewer seen an entire audience rise from their seats as one to give a standing ovation! Nyilamum, featuring Dr Lou Bennett AM and the Australian String Quartet, have created a pivotal event in the bridging of First Nations’ and Western music. The effect is moving and an experience for the senses!

Courier

Adelaide Fringe. The Breakout at the Mill. 26 February - 8 March 2025

Benny is a food delivery rider, working through lockdown to deliver fast food and groceries to those confined to their homes. When we enter the performing space, he’s there pedalling on his bike, his mounted phone regularly pinging a recognisable two-tone, and a bright blue insulated box on his back.

Picnic at Hanging Rock

By Tom Wright, adapted from the novel by Joan Lindsay. Sydney Theatre Company. Directed by Ian Michael. Sydney Opera House, Drama Theatre. Feb 17 – Apr 5, 2025

To colonisers of Australia, the unknown vastness and mysteries of this ancient continent must have been terrifying.  Joan Lindsay’s 1967 novel about three schoolgirls and their French teacher who vanished at Hanging Rock in central Victoria – and then Peter Weir’s landmark film – is a masterpiece of this dark Gothic Australia.

The Van Donk Family Old Timey Vaudeville Revue

By Andrew McClelland and Louisa Fitzhardinge, Downstairs at the Maj, His Majesty’s Theatre, Perth WA. Feb 4-8, 2025

The audience gather to watch The Van Donk Family - Mum and Dad, Vaughn and Lottie - who have been Vaudeville Stars since 1887, but Mum and Dad have been killed in a tragic tap-dancing accident….

The show must go on, so sibling pair Vaughn and Lottie embark on a retrospective celebration alone, recounting their brilliant career, and including a completely plausible explanation as to why this family act has managed to continue for over a century.

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