Reviews

A strong opening with a post-apocalyptic theme began a joyous performance of well-honed skills. The performance space was defined by a patchwork tent and circular mat. As the tent was lifted a short “outsider” narrative was played out on the Chinese pole with daring moments performed with cheeky assurance. Costumes added to the narrative of changes in the world with suggestions of burdens and excess.

First published in 1848, The Tenant of Wildfell Hall caused a sensation with its realistic depiction of domestic abuse and a capable talented woman taking control of her own life.

Unlike many novels set in the period where wealthy people – with no employment - wait around for someone to visit them, or spend their day brooding about the next party, here was a real story about alcoholism and debauchery.

Alfred Deakin was Prime Minister of the newly federated Commonwealth of Australia 1903 – 1904, 1905 – 1908, 1909 – 1910.  Some say Australia’s greatest prime minister.  Playwright Darryl Emmerson is clearly an admirer.  But let’s be clear: Talking to the Future is not a play; it’s a history lesson and a hagiographic one at that. 

As Tina herself says, “Chi si volta, e chi si gira, sempre a casa va finire.” (No matter where you go or turn, you will always end up at home). For Songs My Mother Taught Me, the stage of Her Majesty’s Theatre is turned into a lounge room of sorts; over 30 lampshades hanging from the flies with string lights, a chair and table. This lounge room however, also has a 9-piece band and two backup singers!