Reviews

Elliot’s Big Nose and the Snot that it Grows is both gross and gorgeous, a little treasure of a show for kids, presented by Elise Wilson and Christopher Moro, as part of State of Play for Fringe World. A wonderful blend of puppetry and live action, it keeps its young audience engaged and giggling throughout.

The Aussie Way is presented by The Actors Hub, as part of the 4x4x4 Season at Fringe World. This unique season, which has become a tradition over the last few years, features 4 plays, played once a week on a rotating schedule, over four weeks of Fringe World. The Aussie Way is a very well-presented verbatim theatre piece that features a strong ensemble cast, exploring what it means to be Australian in 2022.

Flying Bicycle Collective’s Dreams of a Lonely Planet is a gentle blend of contemporary dance, shadow puppetry and storytelling with live music composition to tell an abstract story of Boy’s journey to the lonely planet. 

The season included a relaxed performance which is the show I reviewed - and I am assuming that there may have been some accommodations to make this a less confronting experience for people with sensory needs. Wonderful to see relaxed performances - especially during a short run.

Six fearless Australian performers tumble, dance and contort their way through and around a unique steel sculpture standing on a vinyl mat spread over part of the new light rail on Church Street Parramatta. Their performance, titled The Construct, is part of the free, outside entertainment of this year’s Sydney Festival. They attract a crowd of about two hundred – some dedicated Sydney Festival followers, some simply passers-by, others sitting, sipping outside the cafes that line this precinct of Parramatta commonly known as ‘Eat Street’.