Reviews

Moonlight and Magnolias

By Ron Hutchinson. The Rep. The Arts Theatre, Adelaide. June 6-15, 2024

Gone with the Wind is an iconic American story with the 1000-page novel by Margaret Mitchell earning a Pulitzer Prize in 1937. Exploring politics, romance and contentious issues including human rights, it sold more than 30 million copies worldwide. The nearly four-hour movie adaptation in 1939 was also a great success, boasting one of cinemas most often quoted lines, ‘Frankly my dear, I don’t give a damn’, which is cleverly built into the script of Moonlight and Magnolias, currently being performed by The Rep.

Pygmalion

By George Bernard Shaw. Directed by Fred Petersen. Garrick Theatre, Guildford, WA. June 6-22, 2024

Classic plays are held in esteem for a reason, and it is always a pleasure to see a well performed classic play hit our local stages. Garrick’s production of George Bernard Shaw’s much-loved Pygmalion also features some brand-new talent, and it is great to see some new faces on stage.

2024 Cabaret Gala

Adelaide Cabaret Festival. Festival Theatre. June 7, 2024

You know when someone gives you a bouquet as a gift and in amongst the blooms is an occasional twig or piece of greenery? This bouquet- The 2024 Variety Gala is a bouquet of joy - not a twig or boring leaf in sight.

Jekyll & Hyde

Presented by A Slightly Isolated Dog. Adelaide Cabaret Festival. Space Theatre. 7-9 June 2024

The crazy faux-French fivesome are back at the Adelaide Cabaret Festival, after the success of their interpretation of Don Juan, this time taking on Robert Louis Stevenson’s Gothic novella, injecting it with their effervescent energies, contemporary twists, and ridiculously clever physical theatre.

The Gospel According to Paul

By Jonathan Biggins. Playhouse Sydney Opera House. 4 – 23 June, 2024

Jonathan Biggins is no stranger to those who are devotees of The Wharf Revue, where Biggins, Drew Forsythe and Phil Scott satirised the mean and the mighty for over twenty years. Biggins has played everyone from Bob Brown to Donald Trump and King Charles. But it is his wry, sardonic, self-assured interpretation of Paul Keating that audiences love best. Perhaps because, like the once PM himself, he keeps coming back to haunt the revue’s more recent political targets.

Pastabate

Writer, Director and Designer: Dani Hayek. Dancers: Disco Daddies. Sound Designer: Rachel ‘Stoz’ Stone. Lighting Designer: Cole McKenna. La Mama Courthouse. Jun 4 – 9, 2024

Take a lot of heartbreak, regret, and searing insight, mix with copious amounts of pasta and any amount of attempted self-soothing, place in the hands of a talented and disciplined actor and you have a very relatable and funny show.

Blackout Songs

By Joe White. Red Stitch Actors’ Theatre. 1 – 30 June 2024

They meet on the street, outside an AA meeting.  He’s in a neck brace, groggy, inarticulate – but boyishly sweet and attractive.  She’s got a fast and loud mouth; she’s older than him, curious, needling – and a risk taker.  Both are alcoholics.  He’s a painter.  We’ll learn that he needs the drug for his creativity – or so he believes.  She’s a well-heeled rebel, fighting normality and boredom.  Both resist the pain of sobriety.  Both are dangerously vulnerable – he the more so; she has a bet

Limbo – The Return

By Scott Maidment. Original music composed by Sxip Shirey. Strut & Fret. The Grand Electric, Sydney. 22 May - 18 August 2024

Over ten years ago, Limbo premiered and toured all over the world. Now, Limbo is back. LimboThe Return is a breathtaking performance with world renowned circus performers.

Do not look away, don’t even blink, because if you do, you’ll miss something amazing. With its mix of pole, aerial, tap, and jazz, as well as its incorporation of live music as part of the entertainment, this cabaret has something for everyone.

Perfumes of the East

Presented by Southern Cross Soloists and QPAC. QPAC Concert Hall, Brisbane. 2nd June, 2024

SXS's welcome return to the stage again demonstrated a selection of diverse compositions and arrangements from a group of talented and passionate artists. The concert began with a short, eloquent demonstration of the didgeridoo from Artist in Residence and Queenslander Chris Williams who has made a remarkable name for himself as an exponent of the instrument internationally whilst additionally collaborating with established composers to commission new works for the instrument over the next ten years.

INK

By James Graham. Director Louise Fischer. New Theatre, Newtown. 29 May – 29 June, 2024

New Theatre uses a photograph of Rupert Murdoch taken in 1968 to publicise its production of James Graham’s play INK. He was 37 years old. He looks strong, and thoughtful … and that’s how Graham depicts him in this play about how Murdoch and his editor Larry Lamb turned a failing broadsheet called The Sun into a tabloid newspaper that in just one year outstripped its rivals in sales … and sensationalism.

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