Reviews

Two privileged white male gays are outraged when they see faggots listed in a pub menu.  Never mind it’s that old English dish of meatballs.  Set in their cramped if million door Darlinghurst flat, with a view of the Mardi Gras Parade tonight from their bathroom, Declan Greene’s furious farce is a very funny attack on PC preciousness around LGBTIQA identities. 

Wicked is renowned for lavish Broadway spectacle, so it’s pleasing that the huge challenge to pare the hit Broadway musical back for Sydney community theatre, especially in the notoriously challenging Sutherland Entertainment Centre, is in safe hands with Miranda’s scenic wizards Bob and Col Peet. They simplify the physical setting effectively, while atmospherics are achieved through lighting, LED, projection and animation in a symbiotic collaboration with Technology Director Chae Rogan (supported by Adam Ring and Robert Mason).

The Western Australian premiere of Heathers is playing to packed houses at WAAPA. This year’s Final Year Music Theatre students are outstanding in this very black musical based on the 1980s cult film.

Set on a bright and breezy gymnasium set by Kelly Freegon, colourfully lit by Kristie Smith and featuring powerfully 80s costumes in bright hues, designed by Kaitlin Brindley, the look of the show is strikingly juxtaposed with the dark themes of bullying, teen suicide and high school massacres, incidents of date rape, substance abuse and depression.

A superb cast of fine actors manages to breathe life into a predictable farce that hangs by its fingernails on a writer’s device. Take that novelty away, and the play is more Ray Cooney than Alan Ayckbourn.

Some new playwrights make one long for the days of Harold Pinter, Joe Orton and the great Ayckbourn. All of these esteemed playwrights understood that comedy comes from the tragedy of the human condition and is bedded in truth.