Into the Woods

The first production I ever saw of this show was a concert version presented in Melbourne at the Arts Centre. It was such a long time ago now I don't remember exactly when, but the one thing I do remember was a superb score being played on the stage with such gusto and passion and a mesmerising cast who were obviously enjoying the experience as much as the audience. It brought the house down; and there were only minimal costumes and some basic lighting: it was just a simple presentation. 

So you can imagine my delight in rushing out to buy the CD and later viewing various more embellished productions that had been taped or filmed, including, of course, the recent release of the movie version. I thought it worth mentioning the above because this particular production sits right in between my original recollection of the show and the more glossy versions I have since heard of or seen. Director and Producer Tim O'Connor designed the show around the traditional style of storytelling similar to that of the wandering troupe of actors with a central storyteller and the appearance of improvisation carried along by the imagination of the players. Along with a rudimentary set, set of props and costumes, the idea was to re-enact the style so typical of the Shakesperian era and create something a little different to previous versions of this rich and engrossing opus so popular amongst the profession and the creative industries.

Whether or not this conceived style of presentation was obvious to the audience, or to those who hadn't read the programme, it didn't really matter because rudimentary though the presentation was, like those bygone Elizabethan days the accent was on the cast and the play itself. And this production is no exception. The story is intriguing enough in all it's intricacy, cleverly weaving together all those familiar famous fairytales, while its cast and performances were mostly exemplary, even down to the smaller roles like Cinderella's sisters. The three major listed well-known stars, the superb Rachel Beck as the baker's wife, with a voice more golden than the golden egg, Eddie Perfect, perfectly cast and of course Rhonda Burchmore who shone like a gem, particularly in her transformation reminiscent of the best of drag, were all terrific. Also worth noting is Tom Oliver in a bright and breezy interpretation of the character of Jack. Pity about Steve Hirst's costume, because he was hilarious as Cinderella's prince and the naughty wolf, whilst Georgina Hopson's Cinderella was a very polished, professional performance enhanced by a beautiful voice to match. And the list goes on ....

Musical Director Jason Barry-Smith had the cast and orchestra at his fingertips: how he managed this being at the back of the stage behind all the action is commendable in itself let alone handling the trials and tribulations of a Sondheim score.

You've seen the show, the movie: now it's time to see how much talent we have in this state of Queensland, indeed in Australia itself and appreciate how lucky we are to have an organisation like Harvest Rain who support this talent without any government funding. Additionally, Into the Woods is a must for those who like depth, symbolism and great music. Even intellectualism.

Brian Adamson