The Wizard of Oz

This is the third locally-produced musical this reviewer has attended - all by three different companies, and the depth of the talent and production values continue to impress. As familiar as this story is, experienced Director, Renee Bakker’s keen eye for nuance and attention to detail ensures the audience remains engaged and amused throughout.  Huge credit also to Trista Little, who literally hits the mark in the big production numbers with her precision choreography, which really showcases the versatile, tireless and thoroughly adorable ensemble. 

The main roles of Dorothy, Scarecrow, Tin Man and Cowardly Lion - while portrayed by four very talented individuals - all mesh superbly as heart-warming unit. Whether trading quips or sharing vulnerability, the camaraderie among them is palpable. I can’t speak highly enough about the physicality of both Aaron Beck and Mitchell Trott as Scarecrow and Tin Man respectively and the comedic timing of Michael Ballard’s flamboyant Lion - let alone the excellent vocals of all three. Meanwhile Sophie Blanshard somehow makes light work of the linchpin role of Dorothy. Not only is she required to display a full emotional range; do justice to the iconic ”Somewhere Over the Rainbow”* while continually focusing on the story arc - she also has to confidently wrangle Doris the Dog (who nails the role of Toto). 

Ashley Eyles has way too much fun as the maniacal Wicked Witch of the West, while an effervescent Ava Gleeson detectably gives cheeky nod to that other Glinda. 

Backing up from MD-ing the super slick “Kinky Boots” in October, Andy Prideaux and his disciplined orchestra provide a genuine ‘fullness’ of sound rarely heard in community theatre. 

The tornado sequence and ‘wizardry’ is depicted courtesy of a vivid and highly amusing video backdrop - it still fails to upstage the dazzling costumes, co-ordinated by Gina McKenzie, with Anthony Phillips’ meticulous design of the Witches costumes. Special mention also to the hair and make up team. Indeed, a village was needed to create this production. Their generous support backstage, translated to universally generous performances on stage from this delightful company. 

Lastly, this is a long show with demanding logistics - therefore extra kudos to Stage Manager, Jeramie Lambert on a very encouraging debut. 

*NB - You could hear a pin drop.

Rose Cooper