The Wind in the Willows

Darlington Theatre Players’ rendition of The Wind in the Willows is a little darling of a show and feels like a picture book brought to life. 

Beautiful aesthetics complement solid performances, with an excellent set design by Ellien Warden, which is lovely to look at, and includes some wonderful surprises. Costumes (credited to a large team led by Marjorie DeCaux) are gorgeous and true to character, given an extra element of whimsy with makeup by Clara Lee. A thoughtful lighting design by Bailey Fellows adds atmosphere, as does sound design from Johnathan Bigelow.

The show is accompanied with live underscoring from Leanne van Heerwaarden, Kieran Ridgway and Sheila Byfield. The music, including pieces by Leanne with Kathryn Fury and one by Suzy-Jane Wakeling, stand nicely beside pieces from Schubert, Satie and Mozart, and support the story beautifully.

Central character Mole opens the show, commencing a gorgeous performance from eleven-year-old Ethan Lucas that sets the production’s standard. An amazing theatrical debut from this young actor, who is definitely a talent to watch. Mole's instant Best Friend, Rat, is played by Chloe Wiggers, and is a joy to watch. 

Michael Lamont brings great presence and authority to wise companion Badger, in a strong performance. Their friend Otter is warmly portrayed by Christopher Steicke, with six-year-old All Archibald quietly stealing scenes as his daughter, Little Portly - lovely teamwork between these two.

In the catalyst role, Sean Wcislo is delightful and dynamic Toad, who manages to make this overbearing and selfish character weirdly loveable. His energy and shenanigans drive the plot and pace well. 

A lovely collection of baddies is led by Suzy June Wakeling as Chief Weasel and Tashlin Church as Ferret Captain - while a strong chorus play a myriad of smaller roles with great distinction - with particularly memorable performances from Lilly Miller and Jackson Lucas as Drivers, Brianna Thompson as the sweet but sassy Jailer’s daughter and Tia Lucas shining in her theatrical debut as the Duck.

This is director Sophie David’s first full-length production as director, and it augers extremely well, as apart from a few forgivable moments of split focus and upstaging this was superbly directed.

This is a show that is bound to give its audience a lift, and feels like a lovely warm hug. A great choice for families and those that enjoy a wholesome and sweet show.

Kimberley Shaw