Wind in the Willows

Wind in the Willows
Adapted by Todd Espeland from Kenneth Grahame’s book. Directed by Christine Ellis. Roxy Lane Theatre, Ninth Ave, Maylands, WA. July 9-18, 2021

This adaptation of the much loved children’s book was targeted at family audiences, with multiple matinee performances. After losing performances to the last Perth Lockdown, this sweet little show has played to near capacity audiences - a lovely initiative from Roxy Lane Theatre, the company formerly known as Arena Arts.

This show has a lovely storybook feel. The set, designed by director Christine Ellis, features a map of the Riverbank area and fold-out wings reminiscent of a fold-out book. Celeste Lopez’s cute costuming has a nod to the Shepard and Rackham illustrations - and to the Disney incarnation. There are some lovely little surprises as we turn the pages, including Ratty’s lovely moving boat, and a great depiction of the engine.

Our favourite characters are brought to life as we expect them, by a mix of experienced and brand new performers. Brodie Atkinson makes an impressive stage debut as central character Mr Toad, with Carolena Shaw also lovely in her first ever show as Badger. Annabelle Eirth is strong and loveable as Ratty, with Andrea O’Donnell adorable as sweet Mole.

There are some great baddies, that appropriately for the young audience are naughty rather than scary. Madi Kate is strong as Fox, also serving as a narrator, well supported by a whole team of wicked weasels (Heather Devenport, Callum Hunter, Danica Szkiela, Guiseppina Mammone and Isla Howard).

Lots of lovely little pop up cameos, including some emerging young actors. Marcella Clennell is lovely as the Jailer’s Granddaughter, with Kleo Anderson (Rabbit and Duck), Sophia Morgan (Hedgehog and Duck) and Lachlan Anderson (Hedgehog and Duck) also lighting up the stage. Lis Hoffmann’s bossy but sympathetic Washerwoman was a highlight, with solid support from Viviane Test, Don Weaver, Greg Bemrose and Sharon Thomas.

Great to see classic children’s literature being kept alive, in a performance that kept its young audience engaged. Congratulations to all involved

Kimberley Shaw

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