When the Rain Stops Falling

When the Rain Stops Falling
By Andrew Bovell. PAANDA - Performing Arts Association of Notre Dame Australia. Directed by Hannah Quaden. Notre Dame University, Fremantle. Oct 27 - Nov 7, 2020

When the Rain Stops Falling was an excellent choice of play for this young company, a fresh Australian contemporary show which is a bit of a change for this group which has performed many British classics. Had it taken to the stage in May as intended, it would have been very popular with Yr 12 Drama students, as this text is studied in many schools. 

After a slightly shaky start (sound issues caused a 30 minute delay), this proved to be a polished and well directed production, with strong performances and a great “look”. Michael Allan opens the show well as Gabriel York - his lengthy monologue well delivered and setting the standard for the rest of the show.

Scarlett Bunter and Natasha Guest both play Elizabeth Law - at different stages of her life. A lovely sense of teamwork between these two actresses who are frequently on stage at the same time - with both endowing the character with great depth and understanding. Similarly Charlotte Harkins and Ella Gorringe share the role of Gabrielle York in strong emotional performances that are layered and well considered. One of the strongest scenes in the show is when these four ladies share the space.

Matthew Jones is charming and likeable as Gabriel Law, a catalyst character whose loss is keenly felt. Thomas Bloffwitch gives maturity and empathy to the role of Joe Ryan. Liam Crevola, a familiar face for community theatre audiences, played the very challenging role of Henry Law, in an excellent performance which may be his best role to date. Tennessee Buti brought a lovely presence in his ‘late in show’ role as Andrew Price, his beautiful characterisation and depth of performance helping to tie the loose ends of the story.

Cat Acres’ lighting design brings mood and location to the simple multi-locale set, while Georgia Comerford’s costuming helps establish character and era. The sound design - very complex and integral to the plot - was well managed by Amy Hannaford.

Played without an interval, this is a long play for a single act show, but is well paced and moves well. While the subject matter is disturbing, this is a very engaging show. Well worth the trip for lovers of Australian Drama.

Kimberley Shaw

Buy scripts by Andew Bovell at Stage Whispers Books

 

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