Reviews

Dracula by Little Ones Theatre Company at Theatreworks in St. Kilda is a visually stunning and physically enchanting piece of theatre.  It’s a romp devoid of text, but relies on the physicality of the actors, a beautiful design, a mesmerising soundscape and the collaboration of some of Melbourne’s best talent.

Using the title of established sci-fi writer Samuel R. Delaney's memoirs, this play is the result of ideas thrown around in a collective designed to bring to the stage experiences taken from his personal life, including his wife writer Marilyn Hacker, and segments of the futuristic novel that eventually put him in the spotlight, Babel-17. It was not intended to enact out an adaptation of both these stories but moreso provide further insight into his illustrious writing talents using these above two elements as a premise.

Agatha Christie’s murder mysteries are a surefire way to fill theatre seats.  For this reason, some companies continue to stage them, despite the fact the plays are not exactly groundbreaking theatre. Opening night for Therry Dramatic Society’s production of Christie’s A Murder Is Announced was testament to the perennial popularity of the late playwright’s work, with almost a full house at the Arts Theatre in Adelaide.

Living on the other side of town, I haven’t encountered an MLOC production for some time, but this was the best. The direction was tight, the chorus energetic and the drama confronting.

In the title role Ben Paine had the open, happy face that made him ideal for this role. The fact that he could sing and do the pathos as well was a bonus. The whisper quiet opening to “Gethsemane” was imbued with impending tragedy.