Reviews

It’s a risky title – and could prompt a one-word review.  Fortunately, Fiannah de Rue’s show is funny.  What isn’t funny (usually) is death.  This show is, she says, her response to the recent death of her beloved larrikin father, as in, ‘You have to laugh…’  There isn’t, in fact, a lot about her Dad in the show, although there is a running gag about his ashes and a brilliant sequence about the wake she organised and supervised to ensure that it stayed sad.  Watching her patrol the wake and remind pe

When the town Salem is mentioned, most people think of the witch hunts of 1692/93 in what is now the state of Massachusetts, USA.  The mass hysteria based on rumour, revenge and a fanatical belief in the Puritan religion led to the execution of over twenty innocent people. Arthur Miller has taken this historical event as an allegory of what was happening in 1953, when the play was first performed, with a similar witch hunt for communists under the guidance of Senator Joseph McCarthy.

The raked seating of the Reginald Theatre is mirrored by a similar rake of red plush seating. Red and black cinema style carpet stretches up steps to an aisle. Above it, in a high, dark-curtained wall are the windows of the projection box of The Flick, a cinema in Worcester, Massachusetts. Both theatre and cinema black out simultaneously. Loud music heralds the credits of a movie. Lights come up on the empty cinema, littered with spilt popcorn.

With Les Mamelles de Tirésias Lyric Opera have continued their practice of performing obscure works. Written at the end of the World War II, this surreal opera features Therese, the title character, railing against being a woman. So she discards her breasts (balloons) and goes into the world in search of a more fulfilling life.

Her husband takes on the female role and decides to have babies – thousands of them! The moral of the story was that, at the end of the war, France was to populate or perish.

It was a delightful romp.