Reviews

One more cup of coffee and then we'll save the world

Adelaide Fringe 2018. Presented by Majk Stokes. Basem3nt Studio, Featherstone Place. February 21st to March 3rd, 2018

One more cup of coffee and then we’ll save the world is a show that is evocative of the 1960’s smokey coffee houses in Australia, where protest and love were the key themes.

The show opens gently with a man, his hat, his acoustic guitar and a single microphone. The venue is intimate, seating about two dozen people. Do not dress warmly as the Basem3nt is a warm space.

Rocky Horror Show

By Richard O'Brien. Directed by Christopher Luscombe. Crown Theatre, Perth, WA. Feb 18- March 4, 2018

The latest incarnation of the Rocky Horror Show burst into Perth to a rapturous reception on opening. This consciously cinematic production features a fantastic cast and a great chutzpah.

Adam Rennie was met with cheers as he appeared on stage as Dr Frank-N-Furter, a reaction that proved appropriate, as he was outstanding in the role, an absolutely wonderful leading man who owned the role.

Bi-Cycle

By Sam Anderson. Adelaide Fringe. Raj House, 54 Hyde Street. 20-25 Feb, 2018.

Plenty of people would (and do) pay for the privilege of spending 30-or-so minutes with an archetypally good-looking, charismatic motivational-speaker/personal-trainer. This one arrives complete with water bottle, tight lycra, and socks pulled up – and most importantly, bursting with enthusiasm (the exercise routines become so infectious that it’s hard to resist joining in) – but it doesn’t take long for Sam Anderson to subtly suggest the appearance of cracks in his relentless façade of exuberant confidence…

Good Muslim Boy

By Osamah Sami. Adapted for the stage by Osama Sami and Janice Muller. Malthouse Theatre. Direction Janice Muller. The Beckett . 9 Feb to 11 March 2018

Personable, enigmatic star of the autobiographical film Ali’s Wedding Osamah Sami takes us on the journey of a lived memoir, from his own storyGood Muslim Boy, of an almost unbelievable romp in Iran.  Well timed, beautifully underscored with sound and music (Phil Slade) on a very functional set designed by Romanie Harper, three actors bring to life this gem of a ‘stranger than fiction’ narrative.    

The Bridge

By Nick Rinke & Caitilin Docking. Adelaide Fringe Festival. Bakehouse Theatre. 19-24 February, 2018

The Bridge, written and performed by Nick Rinke and Caitlin Docking, is a new play from Canada. Very rarely, if indeed ever, do we see contemporary work from Canada. This is great shame as we are missing out on some truly excellent plays. 

Hott Property

Adelaide Fringe Festival. Matt Byrne Media. Maxim's Wine Bar. February 14th - March 17th, 2018

You would be hard pressed to find a harder-working man in Adelaide Theatre than writer and director Matt Byrne. Celebrating his 21st year at Maxim’s Wine Bar and his 15th self-penned show for the Fringe, he does not disappoint with his latest comedy.

Heath Franklin's Chopper - Bogan Jesus

Adelaide Fringe Festival. Corona Theatre. Garden of Unearthly Delights. 16th Feb - 4th March, 2018

Comedian Heath Franklin has resurrected his most popular impersonation of deceased criminal ‘Chopper’ Read for his new show Bogan Jesus. His latest offering is not for the easily offended, but most come expecting to be shocked by Franklin’s brutally honest humour.

With trademark moustache, sunglasses and tattoos, the comedian is obviously comfortable in the skin of the former notorious gangster.

Madame Nightshade's Poison Garden

Directed by Sarah Ward and Maude Davey. The Studio, The Blue Room, Northbridge, WA, as part of Summer Nights and Fringe World. Feb 20-24, 2018

In Anna Thomson’s one woman show, a devilish shapeshifter Beatrice transforms into her alter ego, the ‘beautiful’ and silent but anarchic Madame Nightshade. Physical comedy, with clowning and grotesque exaggeration keeps the audience engrossed and occasionally grossed out, for the best part of an hour.

Anna Thomson is a competent, confident and very talented performer with an enigmatic manner and she stars in a complex and clever piece of theatre that is perhaps the most prop-heavy show at Fringe World.

Miss Westralia

Fringe World. Balloon Head Theatre. Directed by Kylie Bywaters. The King's Lair, His Majesty's Theatre, Perth, WA. Feb 20-24, 2018

Miss Westralia - The Beryl Mills Story is a new musical based on the very first Miss Australia, a 19 year old from Geraldton, and her trip to the United States with competition sponsor Frank Packer.

Balloon Head Theatre’s production features a collaborative script with music and lyrics by Jake Nielson, music by Matthew Predny, book by (actors) Madeline Clouston, Ameliia Bourke and Noemie Huttner-Koros and dramaturgy by Ariella Stolan. A great concept, the story is a good one, and the songs well structured.

The Naked Magicians

Adelaide Fringe Festival 2018. Cornucopia at Gluttony. Feb 16 - Mar 4, 2018

There is an old saying in theatre that says ‘less is more’. That is certainly the case with The Naked Magicians -less clothes and even more talent.

I didn’t really know what to expect, apart from the obvious magic and nudity, so I wasn’t quite prepared for what awaited me. On arriving, the audience is immersed in the experience, music blaring at full volume with bright blue and pink lights illuminating a stage, a hanging box, a table and a chair with an inflatable naked lady sitting astride.

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