Reviews

“This is a world where men and birds fall from the sky, where young women are judged by the colour of their skin and where power can be ordained by a line of succession … where most of the characters genuinely want to create a better, fairer world than the one they were born into.” (Anthea Williams, Director)

The new short play, 21, written and directed by Mollie Earnshaw, is presented as part of Curtin University’s Sunday Night and Lunchtime Theatre series.

A very nicely written relationship drama, it tells of a young man Jimmy who contracts penile cancer. Despite the serious subject matter, there is lovely use of light and shade and beautifully drawn likeable characters. Mollie Earnshaw’s writing of dialogue is very clever, especially her use of rapid patter.

Bankstown’s Dogfight is not just a great show, it’s a powerful and emotional experience.

Meg Day’s direction and set design, Clare Moroney’s musical direction, Lauren Nalty’s choreography, Rod Bertram’s evocative lighting and sound, the orchestra’s playing, and John Plaege’s props all combine to make an effective and professional-looking production. Add to that a cast in which there is not one weak link and you can get ready for the heartstrings to be pulled.

It’s been nine years since Queensland ballet-lovers have had the chance to see La Bayadère, when Paris Opera Ballet staged Rudolf Nureyev’s production of it at QPAC for the first International Series in 2009.