The Visitors

The Visitors is based on a fascinating premise. How did Indigenous people contemplate the arrival of colonisers on January 26 1788? Exploring this historical event from an Indigenous perspective challenges the traditional nation founding narratives surrounding the first fleet. The structures in place for the Indigenous community are portrayed in a manner that mirrors Western hierarchies. The council of elders who represent their people and voice their opinions and concerns is not unlike the processes found in democratic systems. The entire performance is dedicated to surveying these authoritative figures. Their fear, anger, trepidation, and excitement, as well as the sophistication and dignity with which they prepare themselves for this encounter is thoroughly examined. 

However, the transition of Harrison’s play to opera is not as easy as it may appear. The conversational nature of the exchanges and the light melodic tones of the music doesn't seem to reach the epic scale of emotions or events that is usually associated with opera. The opera is sung in English with only occasional inclusion of Indigenous terms. The costuming also echoes western styles. This is quite effective in reinforcing the idea of two very different and developed cultures at an important historical juncture. Whilst this helps to give a better understanding of the nature and dynamics of the debate, it leaves the inclusion of Indigenous culture and traditions wanting. Given the emphasis on sounds, voice and singing it would have been good to see a more effective blending of Indigenous performance traditions with that of opera. 

The singers and musicians are exceptional and deliver very refined performances. The beautiful bass vocals of Eddie Muliaumaseali'I (Albert) especially capture much of the drama, and the execution of the music draws out the delicate melodies. The theatricality of this story is also beautifully managed. The set evokes the dry arid landscape and the vision of the fleet in the distance is captured through an exceptional play with light and set design. The fleet acquires a domineering and foreboding presence and the effect is very striking. 

This is an opera which defies many expectations and a story which offers a fresh vision of one of our most important Australian stories. 

Patricia Di Risio 

Photographer: Charlie Kinross