The Val Machin Opera Scenes

If you’re of the opinion that all opera is over the top dramatic histrionics, The Val Machin Opera Scenes performance would have certainly changed your mind. The annual event returned to Queensland Conservatorium for an unforgettable evening of hilarious opera and classical music. Yes, you read correctly, it was hilarious. The Classical Voice department treated us to comedic excerpts from three operatic works. Scenes from Leoncavallo’s Pagliacci, Mozart’s The Magic Flute, and Rossini’s An Italian Girl in Algiers were brought to life on stage, with the wonderful backing of a chamber orchestra conducted by Peter Luff.

The performers in the orchestra were in perfect harmony, showing excellent teamwork and timing under Luff’s baton. Lois Redman’s direction delivered well balanced staging and clever use of set pieces. It was great to see the performers had been well coached in movement and encouraged to delve into the emotional depth and dramatic nuances of their roles, ensuring a truly captivating and authentic portrayal on stage.

Several vocalists stood out as being rising stars to watch in future. Jake Lyle was focused, committed and showed first-rate physical comedy alongside lovely vocal tones as Tonio in Leoncavallo’s Pagliacci and as Taddeo in Rossini’s An Italian Girl in Algiers. Tashana Hardy was radiant and poised as Pamina in Mozart’s The Magic Flute. Harrison Hammett delivered wonderful comedic moments as Papageno in The Magic Flute and as Ali in An Italian Girl in Algiers. Morgan Rosati showed spirit and charisma as Isabella in An Italian Girl in Algiers. Arguably stealing the show, Vikram Goonawardena was sensational as Sarastro in The Magic Flute and brought the house down with endless laughter as Mustafa in An Italian Girl in Algiers. His voice was equally as impressive as his acting chops and willingness to throw himself into the roles.

Through nurturing emerging talent with performance opportunities like The Val Machin Opera Scenes, Queensland Conservatorium Griffith University continues to solidify its reputation as a preeminent institution for the cultivation of musical excellence, enriching both the local cultural landscape and the global stage.

Kitty Goodall