Reviews

Mefistofele in Concert

By Arrigo Boito. Presented by Opera Australia. State Theatre, Arts Centre Melbourne. 25 & 27 May 2022.

There are significant advantages in producing concert versions of a major opera. The savings in production costs is enormous and it is possible to make such performances more feasible and accessible. There are more than just pragmatic considerations as the singing and the music become the entire focal point. This concentrates attention on the performers and the musicians in a rather different and unique way. 

Theatresports All Stars

Enmore Theatre, NSW. Sunday 22nd May, 2022

The Comedy Festival is over! But it closed with a bang! A mighty, improvised bang – fuelled and detonated by some of the best improvisors in the country! Inspired by two years of Covid closures and six weeks of political posturing, they hit the stage running, keen to consolidate their “All Star” status. Which they certainly did!

The Wizard of Oz

By L. Frank Baum, Harold Arlen, E. Y. Harburg and Herbert Stothart. Murray Music and Drama Club. Directed by Cathy Puzey. Pinjarra Civic Centre, WA. May 6-22, 2022

This well-loved musical, produced by Murray Music and Drama Club, has been performing to capacity crowds in Pinjarra. Losing their middle week of three to Covid complications, they bounced back (albeit one leading role down) to mount a successful final week.

Featuring a cast of 35, including some fabulous children, the show featured some gorgeous costumes - co-ordinated by Tammy Peckover. Well-constructed set pieces from Trevor Delaporte and Andy Peckover and colourful lighting from Terry Peckover help the show to look good.

Tartuffe - The Imposter

By Writer: Molière, adapted by the cast and crew. Monash University Student Theatre. Directed by Celeste Cody. 19th-28th May, 2022

This play, originally from 1664, is still relevant since it holds up human frailty, hypocrisy and misrepresentations of the truth for examination and ridicule. The director, Celeste Cody, has included the best parts of student theatre – exuberance, creative discursions and irreverent takes on the classic text, and the actors have made the most of the opportunity.

References to current issues and culture abound and add to the classic tale. All of the actors brought consistent focus and energy to their roles and the original caricatures were given new life and relevance.

Hearth

By Fleur Murphy. La Mama Courthouse. 18 – 29 May 2022

A family drama, set (mostly) in the Robinson family home on the bushy outskirts of Melbourne, just before, during and after the bushfires of 2009. (The year could equally well be 2019.) The fires bring tragedy, but they are also the catalyst in the aching conflict between brothers: Matthew (Martin Blum, in a powerful brooding performance) thirty-five, and Tom (Kurt Pimblett, disturbingly mercurial) eighteen. 

SIX

By Toby Marlow & Lucy Moss, Her Majesty’s Theatre, Adelaide – 21 May – 12 June 2022

‘Welcome to the show, to the historemix’ sing the six ex-wives of Henry VIII, introducing the story you think you’ve heard before. Only this time, it’s as an all-female pop sextet, complete with signature costumes, tiaras with attitude, and personalities larger than the king himself.

Young Bodies/Somebody’s

By Miranda Michalowski. Directed by Jo Bradley. Flightpath Theatre, Sydney. 19-28 May, 2022

The ‘young bodies’ in this notable one-act play by Miranda Michalowski belong to sisters June and Anna. June, 19, is trying madly (and hopelessly) to join her university swimming team, while Anna, 21, spends her time dancing and flirting with useless men. This is the moment when their mother, Dawn, says it’s time for them both to leave home because she wants her new boyfriend to move in.

Unnecessary Farce

By Paul Slade Smith. Centenary Theatre Group. Community Hall, Chelmer, Qld. 21 May – 11 June, 2022

Actor/playwright Paul Slade Smith’s Unnecessary Farce has been given a riotous production by Centenary Theatre Group, with the requisite number of door slammings, characters losing their clothes, and silly situations bringing laughs. Premiering in 2006, this farce is the sort of show community theatre audience’s love, and William McCreery-Rye’s cast dive into the high jinks with relish.

Mozart's Requiem

Queensland Symphony Orchestra. QPAC Concert Hall, Brisbane. 20 + 21 May, 2022

It was heartwarming to see an almost full house at the Queensland Symphony Orchestra's matinee performance of this Mozart classic. All of our national orchestras have suffered at the hand of the pandemic, the QSO being no exception, sadly, particularly as it has grown and flourished to become one of Australia's most respected orchestras, even internationally.

Fast Food

By Morgan Rose. Red Stitch Actors’ Theatre. 14 May – 5 June 2022

In a minor outlet of a fast-food franchise, career manager Troy (Kevin Hofbauer) tries to enthuse, motivate, and control his mostly disaffected crew as they set up for the day. 

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