Reviews

Heathers The Musical

Book, Music and Lyrics by Kevin Murphy and Laurence O’Keefe. Based on the film written by Daniel Waters. The Mitchell Old Company. Darling Quarter. February 8 - March 5, 2022.

Even though I have seen the musical before, it still leaves me with my jaw on the floor at the subject matter it covers.

The ticket website says it all - with a warning of strong language, gun violence, murder, suicide, drug use, fat shaming, sex and more.

Yet remarkably, the writers of the musical have handled the subject matter in a way that allows for these issues to be handled delicately, in a rollicking night of satire.

The Gondoliers

Libretto by William S. Gilbert and Music by Arthur Sullivan. The Gilbert and Sullivan Society of Victoria Inc (GSOV). Director / Choreographer: Robert Ray. Musical Director / Conductor: John Ferguson. Inglewood Town Hall, February 5; Alexander Theatre, Melbourne, February 10-12 and Quambatook Memorial Hall, February 19, 2022.

The GSOV, founded in 1935, is one of the oldest continuously performing groups in Australia. When COVID struck early in 2020 the footlights dimming on one of the world's busiest G&S companies was a bitter pill to swallow. Happily, this fourth attempt to bring off this production after three postponements has succeeded. And what a triumph it has proved to be!

Fun Home

Music by Jeanine Tesori. Book & lyrics by Lisa Kron. Melbourne Theatre Company/Sydney Theatre Company. Arts Centre Melbourne, the Playhouse. 7 February – 5 March 2022

Alison Bechdel (Lucy Maunder) is a cartoonist, writing an autobiographical graphic novel – and so we travel with her, a ghost witness to her past.  It is a story about an American family – a family uniquely unhappy in its own way.  Alison always carries her sketch pad as she watches, and, sometimes with laughter, sometimes with regret, or embarrassment, sometimes with pain, records each memory.  As they become drawings, she asks, ‘Caption?  Caption…?’  And she is stopped, as stumped as we are because no simple caption could be adequate

Mamma Mia!

Music and Lyrics by Benny Andersson and Björn Ulvaeus. Book by Catherine Johnson. Packemin Productions. Directed by Jordan Vassallo and Courtney Cassar. Musical Director: Peter Hayward. Choreography: Sally Dashwood. Riverside Theatre, Parramatta. February 11 – 26, 2022.

What a positive choice to bring Packemin’s loyal audience packing back in to Riverside! Despite QR and Vaccination-checking queues and compulsory masks, Mamma Mia’s  opening night crowd filled the theatre with joyous anticipation – and directors Jordan Vassallo and Courtney Cassar and their very talented and energetic cast rose to their expectations! The production is bright, tight, colourful and makes the very most of the comedy and optimism that infuses the plot and the many ABBA hits.

Homophonic! BYOB*

Midsumma Festival. La Mama Courthouse, 349 Drummond Street, Carlton. 10-13 February, 2022

Artistic Director, Miranda Hill, has steered this project for several years and successfully focused attention on the achievements of queer composers, singers and musicians. The many delightful, sometimes poignant, stories behind these works have been recorded and recounted by Hill in the most entertaining and endearing manner. These events are often an oasis or refuge for individuals whose sexuality is taken to be at odds with the mainstream.

The Almost Completely Terrible Tale of Felicity Footin

Written and directed by Jane Hille. Fringe World / Jane Hille Productions. The Studio, Subiaco Theatre Centre, WA. Feb 9-12, 2022

The Almost Completely Terrible Tale of Felicity Footin has one of the brightest posters at Fringe World. Resplendent in bright yellow, pink, and purple, it looks more like a children’s show with its happy, bright feel. 

Utopia

Written and directed by Sayyad Amir Mohammad Musavi. Tamsilgran. The Kaos Room, The Blue Room Theatre, Perth Cultural Centre. Feb 8-12, 2022

Utopia is a moving and heartfelt play about the refugee experience. Set in Afghanistan, it looks at the reasons for needing to leave the country and the vision of Australia as a Utopia.

The Complete Show of Water Skiing

By Medina Dizdaravić. Directed by Laura Liu, The Blue Room Theatre, Perth Cultural Centre, WA. Feb 8-12, 2022

The Complete Show of Water Skiing is a wildly unlikely tale, but a beautifully told story, well presented and acted.

When Jenwin finds a book entitled The Complete Book of Water Skiing amongst her recently departed grandfather’s possessions she decides to honour his memory by learning to water ski. Enthusiastically supported by her two best friends, the trio find themselves entered in a competition, despite their lack of experience and equipment.

This Is Where We Live

By Vivienne Walshe. Feet First Collective. Fringe World. Directed by Teresa Izzard. Cookery, The Girls School, East Perth, WA. Feb 8-13, 2022

Feet First Collective’s This Is Where We Live is a highly poetic, unusually staged production about teenagers in a rural Australian town. Sensitively directed and beautifully acted, this moving play is fulfilling viewing.

What will strike you first is the unusual dialogue style, with some sounds, thoughts and actions verbalised rather than acted. At times it feels more like slam poetry than theatre - an interesting approach given that poetry is one of the play’s major themes. Actors also slip in and out of secondary characters.

Die Walküre

By Richard Wagner. Presented by Melbourne Opera. Her Majesty’s Theatre, 219 Exhibition St, Melbourne. 9, 11, 13, 16 February, 2022.

The cultural importance of Wagner’s Ring Cycle cannot be underestimated, and staging this work is always an admirable exercise. Melbourne Opera has approached this production with grandeur and on most accounts succeeds in conveying the magnificence of this work. The stage combines a modernist brutalist set design which also houses a naturalistic looking Ash tree. This seems at odds with the scenery and is an example of some of the less cohesive aspects of the directorial vision.

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